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Double Bass Take The A Train.

ErikP.Bass

Supporting Member
Nov 23, 2004
2,827
2,093
This week for my bass lesson I am going be creating a lead sheet from and old recording of Take The A Train....the older the better. I was wondering if anyone has any favorite versions. Please post a YouTube link if it's available or the date and artist / group if it's not. Thanks in advance for your help / recommendations!!!
 
Duke Ellington Orchestra, of course, will be the oldest and most iconic, though the song has been recorded about a billion times and there are lots of good versions mixed among more bad ones.

There is a Ray Brown Trio recording on I think the Concord label that really slow and very cool. Would be good contrast to Duke.
 
Yeah, that makes sense.

We have a reputation of being unresponsive and perhaps even hostile at times, but a good question (want to build a leadsheet by transcribing from the best recordings of a standard) usually gets very good responses.

It's the same tired old, mal-conceived questions that on a good day we ignore and on a bad day we flame. Ironically those probably get a lot more uptake with the BGists.

Another thought, learn the lyrics if you don't know them. Ella is great, but I don't know if she's the best source of lyrical accuracy on this particular tune. Still, check her and others out for the lyrics. It'll help you when you play the head.
 
This week for my bass lesson I am going be creating a lead sheet from and old recording of Take The A Train....the older the better.
Make sure the 3rd & 4th measures have the appropriate altered chords to get the proper effect going to the resolution of the melody in the 5th & 6th measures to set up the turnaround in the 7th and 8th measures.
 
The original version features the great Jimmy Blanton on bass. He doesn't do anything soloistic on this recording but I recall that his walking line is very effective and he uses the whole tone scale over measures 3 & 4 of the A section.

- Steve
 
iiipopes said:
Make sure the 3rd & 4th measures have the appropriate altered chords to get the proper effect going to the resolution of the melody in the 5th & 6th measures to set up the turnaround in the 7th and 8th measures.

Thanks for the tip! Conceptually I understand what you mean but I'm not sure my ears are there yet.