I've been into Tears for Fears the whole time. As a kid in the 80s I heard all the MTV tunes 50 times a day like everyone else. But right around the "Seeds of Love" record I started to understand that these guys were operating at a higher level as songwriters, arrangers, and musicians. One of my favorite bands.
Through the years I became a fan of Roland Orzabal in particular and listened to everything of his I could find. Curt Smith I could take or leave, but Orzabal is seriously a tier 1 writer. Underappreciated.
So I'm happy to say that the new album "The Tipping Point" is outstanding. The songs are lush and fully formed, the playing is as good as always, and the recording is excellent. This is not one of those albums by an aging band trying to squeeze one more out. It's inspired music by guys who have been at the top of their game for a long time. Much the same as I felt about "Clockwork Angels" when Rush released it.
The bass playing itself is fine if unremarkable - I think Curt Smith laid down all the bass tracks. The songs and musical arrangements, as usual, are really all Orzabal's work. They split vocals maybe 60/40 in Orzabal's favor, though their voices are more similar than different and it can be hard to tell who it is sometimes.
If you like Tears for Fears at all, or are curious - I recommend this album. It doesn't have the radio-friendly fare that "Songs From the Big Chair" had, but it could be their second best album.
Through the years I became a fan of Roland Orzabal in particular and listened to everything of his I could find. Curt Smith I could take or leave, but Orzabal is seriously a tier 1 writer. Underappreciated.
So I'm happy to say that the new album "The Tipping Point" is outstanding. The songs are lush and fully formed, the playing is as good as always, and the recording is excellent. This is not one of those albums by an aging band trying to squeeze one more out. It's inspired music by guys who have been at the top of their game for a long time. Much the same as I felt about "Clockwork Angels" when Rush released it.
The bass playing itself is fine if unremarkable - I think Curt Smith laid down all the bass tracks. The songs and musical arrangements, as usual, are really all Orzabal's work. They split vocals maybe 60/40 in Orzabal's favor, though their voices are more similar than different and it can be hard to tell who it is sometimes.
If you like Tears for Fears at all, or are curious - I recommend this album. It doesn't have the radio-friendly fare that "Songs From the Big Chair" had, but it could be their second best album.
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