Yeah, we'll see. I'd be lucky to get 3-400 dollars for it. Maybe above the garage, but only during winter. It's hot as spherical objects up there in the summer. Oh, and I also have an EUB stashed under a bed.
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... mud 1800's Tyrolean...

Neither the color nor the sound; typo corrected!I hope you're referring to the color and not the sound.![]()
My French and Catalan basses on the floor with my wife's bohemian. The other pic has a plywood bass on the right side (no strings).
I play a different bass at work too... They've never been all in the same place.
WowHere are some pictures I took shortly after buying the bass.
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Here are some pictures I took shortly after buying the bass.
View attachment 4428093 View attachment 4428094 View attachment 4428095 View attachment 4428096 View attachment 4428097 View attachment 4428098 View attachment 4428099 View attachment 4428100 View attachment 4428101 View attachment 4428102
Sure,Wow
Please remind us of it's impressive history.




Has anyone here ever stored a bass long term? How much tension did you take out? 1-2 steps? I'm not too concerned but I don't want to overlook something stupid. I'm pretty good at that.
That is a beautiful bass! I attended the week-long masterclasses Gary did. at Hartt School in the mid-80s and I remember that bass sitting in his music room with his other basses. What blew me away was the length of decay on an open string. Gary pulled the D string and let it ring - it lasted for like 20-30 seconds, it just kept vibrating! He played it a little bit for us and it was such a beautiful sounding instrument. Congratulations! When I was in college in 2002 (as an older student) I did some research on Pedro Valls i Duran and I'm thinking that Valls sold or gave that bass to Torello. There are pictures of Valls playing on a pear-shaped bass which really resembles this one - and that Torello was a student of Valls, the possibility is pretty strong. Again, congratulations on owning a truly exceptional instrument!Sure,
It was Anton Torello's bass - I assume he brought it with him when he immigrated to the US. When he died in 1960, the bass passed to his son (William in the LA Phil). It was sold to Gary Karr in the 80's. Gary sold it to his student, Ermanno Ferrari. It was bought by another person who put it in the care of Tom Martin until the owner decided to sell it. I bought the bass in 2016.
The bass also has a homemade bass case made by Gary Karr's mom- View attachment 4428394 View attachment 4428395
This is the certificate from Tom.View attachment 4428392View attachment 4428393
An email response from Gary Karr -View attachment 4428391
That is a beautiful bass! I attended the week-long masterclasses Gary did. at Hartt School in the mid-80s and I remember that bass sitting in his music room with his other basses. What blew me away was the length of decay on an open string. Gary pulled the D string and let it ring - it lasted for like 20-30 seconds, it just kept vibrating! He played it a little bit for us and it was such a beautiful sounding instrument. Congratulations! When I was in college in 2002 (as an older student) I did some research on Pedro Valls i Duran and I'm thinking that Valls sold or gave that bass to Torello. There are pictures of Valls playing on a pear-shaped bass which really resembles this one - and that Torello was a student of Valls, the possibility is pretty strong. Again, congratulations on owning a truly exceptional instrument!
I can't say anything for sure, but the bass in this photo seems a little more smoothly rounded at the bottom where mine is a little more flat.