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Double Bass Tempo, time signature idiom

Sep 24, 2011
1,335
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Hi there

I found this link quite helpful in explaining the relationship between suitable tempos for given time signature

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however, as a "reality" check, could I ask if you fundamentally agree?

My search was in relation to understanding the "expected' speed when looking at an unknown piece of music for the first time

Regards to all
 
Hmm.. so so. Yes in a way, but also no.

Back in the day, like hundreds of years ago, publishers would notate music based a lot on what they were able to do with the printing technology they had, regardless of how the music sounded. They avoided extra lines whenever possible. (eg, using faster pulse BPM with quarters and eighths instead of slower pulse BPM with eights and 16ths.)

(I also think that 2/2 is great for fast tempos where we count halfs instead of quarters, why use cut time when 2/2 is also what it is?)

I've read somewhere, that people feel a 'core pulse' that is similar to our heartbeat range, and tempos that are faster or slower than that range are heard/felt as a multiples/divisions of that core pulse.
 
longfinger said:
I've read somewhere, that people feel a 'core pulse' that is similar to our heartbeat range, and tempos that are faster or slower than that range are heard/felt as a multiples/divisions of that core pulse.
I can see that, to an extent. When we do 6/8 stuff (for example, Crowder's How He Loves) I tend to count/feel it as 2/4 with triplets.
 
Generally speaking, there is no relationship between meter and tempo. Yesterday I played a gigue in fast 6/8, felt in two, and in the evening played Madam Butterfly in which there are excruciatingly slow passages also in 6/8, counted in 6. To determine tempo, there needs to be more information, such as type of piece (gigue, for example), historical period and/or an indication like "Allegro".