My wife and I run sound for our band. We try to use our own gear, and run sound from the stage whenever possible. Whether running our own sound, or using a house soundman/system, there are some universal truths to getting a real mix, and I have been honing our skills for quite some time.
One reason I joined this forum is that google searches took me here a lot, and here are some things I have learned.
1. We both play bass. I play a Fender Jazz, and she plays an Ibanez SR700. I have taken to really listening to both of our tones, and discovering that even though she is active and I am passive, we can match them up fairly well, and in doing so, we have utilized the best of both instruments. They are growly and clear, without giving up too much bottom end. We have EQ'd them fairly flat, and let the instruments do their own magic, and we are both going direct, even though she has a really nice cabinet, and my Fender Rumble 60 watt actually has some great characteristics, too.
2. More importantly, we've been watching for the other instruments robbing us of some of our bottom end punch. Guitar player turning up the Bass too high on his Marshall Stack? Check. Got that tip right here on this page.
5. Learning to count. I have been counting much better since posting here.
5. OK, I have discovered that technique is just as big a part of overall sound too, and have adapted my playing to better fit the sonic landscape of the band. I can't get too specific here, but I will say that when the instruments understand their relationship to each other, they do make a more pleasant noise.
6. Strings. We both got better strings, and have reaped the dividends right out of the package.
That's all for now.
One reason I joined this forum is that google searches took me here a lot, and here are some things I have learned.
1. We both play bass. I play a Fender Jazz, and she plays an Ibanez SR700. I have taken to really listening to both of our tones, and discovering that even though she is active and I am passive, we can match them up fairly well, and in doing so, we have utilized the best of both instruments. They are growly and clear, without giving up too much bottom end. We have EQ'd them fairly flat, and let the instruments do their own magic, and we are both going direct, even though she has a really nice cabinet, and my Fender Rumble 60 watt actually has some great characteristics, too.
2. More importantly, we've been watching for the other instruments robbing us of some of our bottom end punch. Guitar player turning up the Bass too high on his Marshall Stack? Check. Got that tip right here on this page.
5. Learning to count. I have been counting much better since posting here.
5. OK, I have discovered that technique is just as big a part of overall sound too, and have adapted my playing to better fit the sonic landscape of the band. I can't get too specific here, but I will say that when the instruments understand their relationship to each other, they do make a more pleasant noise.
6. Strings. We both got better strings, and have reaped the dividends right out of the package.
That's all for now.