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The AFM (musicians' union) - pros & cons?

Let's try to keep this discussion civil, OK?

I'm just looking for some general info about the union. What are the advantages / disadvantages to being a member? What kinds of gigs are union-only? If you join, are you forbidden to play for less than a certain rate? How much are dues?

I skimmed the AFM web site, but it didn't answer my questions.
 
Pro: if you work for an orchestra or full time as a studio or show cat, gets you jobs, allows you to get jobs, and gives you some assurance of what you will get paid.

Also, they provide a pretty reasonable instrument insurance program.

Con: Not quite as useful for rock and roll musicians, especially original artists. Comes into play when you play headlining large shows, but other then that not necessarily much bang for the buck. Membership across the country has dropped in recent years because of it.

The most active locals are obviously NY, LA and Nashville. Dave Pomeroy, bassist extraordinaire, is the local president in Nashville.
 
From my experience, it all depends mainly on the kind of work you want to do. If you are doing TV, Movie, National Jingles, Master Record dates, Theater Pit Gigs , or Symphony work membership is a must. The AFM keeps up with your payroll, reuse checks, benefits, and pension. They negotiate the pay scale and benefits for the Symphony Orchestras and other types of venues.

And, if an account stiffs you or gives you a bad check, they'll collect for you.

They do set a minimum scale for the different types of work, but you can negotiate above that, depending on your relationship with the account or contractor. I usually work for double scale and sometimes more. What you actually make for has to do with your talent, reputation, experience and negotiation skills. Scale is a good place to start. Since, most of us don't appreciate what we are really worth.

You can make some great career contacts by being in the Union that you would never make elsewhere.

If you are on the road with a band and traveling, being in the Union (using signed and filed Union contracts for your gigs) offers you some protection in the case you get stiffed by a promoter or the venue.

When I was on the road years ago, we got stiffed by a club in Kansas and were pretty muck broke. The Union got us some cash to help us get back on our feet and they collected our dough and got it to us. We would have been totally screwed were it not for the AFM. They also collected the money for me from an album that I was the session leader and played on too. The record company was trying to pull a fast one on us and the AFM stopped them.

Some states are right to work states, which means you don't have to be in the Union to work and you can work along side of Union players (if you get hired, which isn't likely) but you aren't protected if you get screwed or do you get any benefits. Some states, Union membership is pretty much a requirement.

There are 2 dues.
1. Your monthly local and national dues..they are a combined amount. National dues is the same everywhere, the local dues varies by location.
2. Work dues, a percentage that is paid to the union on each gig contract that is filed. It is usually factored into the total amount of the contract and doesn't come out of your pocket per se.

No one can tell you to join or not, it depends on your situation.

I don't know a Union player that has not done a scab or non-union gig. Getting caught used to be a big deal with fines attached if you got caught. It all depends on how strict the local office is regarding it.

But remember, if you do work non Union you are undermining yourself and the organization.

Just my 2 cents.
 
I'm kinda straddling both worlds right now - working as a rock musician with a couple original artists, but also getting some studio work, and I'm musical director for an Off-Broadway production (non-union), and developing a musical. I don't know if the union would help or not - whether it would actually help get more studio work like I'd like to be doing, and if the rest of my main project (who are also killer players in my position) would join, could it help that project (as well as the individual players)?
 
Dues depend on which local you join. I don't know which local you live in. However, I do know that NY (Local 802) charges $210/year, and the percentages they take are very low. It's generally around 3%.
 
By the way, I'm a member, so is Gene Klein (aka Gene Simmons) and of course, JUSTIN BIEBER! LOL!

I can afford it, so its worth it for me. I can understand how in situations it could be more expensive then it brings you benefit. However, joining does give you more opportunity.
 
I was a member for 9 years, great if all you play is union gigs. Not worth the money if you do not play any union gigs, other than to say "I'm in the Union". My Father was an International Representative for the CWA (Communication Workers Of America) and I joined because I could not get on the tour bus unless I was union. As A Teacher I am in the Union, because that's the way the game is played in my profession now. I don't really like paying $532.00 a year for dues (knowing some money goes to political campaigns I would never support). But I do like having a job and representation.

You'll have to figure it out for yourself. Insurance on instruments from the AFM is a pretty good deal. Although now I have a policy through my insurance agent that's pretty good $125.00 a year for $15,000.00 worth of insurance.
 
You'll have to figure it out for yourself. Insurance on instruments from the AFM is a pretty good deal. Although now I have a policy through my insurance agent that's pretty good $125.00 a year for $15,000.00 worth of insurance.

You're absolutely right. I've been thinking of jamming my foot back in the door doing union gigs. It would be smarter though to investigate other insurance and wait until the phone starts ringing before shelling out to the union. God knows I have no burning desire to spend several hundred just to "say I'm in the Union".
 
As A Teacher I am in the Union, because that's the way the game is played in my profession now. I don't really like paying $532.00 a year for dues (knowing some money goes to political campaigns I would never support). But I do like having a job and representation.

Well, consider whether you'll still have those bargaining rights if unions and working people don't connect with those interests at the voting booth - can we spell "Wisconsin?"