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The Fender/Squier Bullet Bass Thread

it's easy for me to believe that the smith-era fenders used whatever stock they had on hand to build instruments as they transitioned though japan and corona factory builds. but what do i know?

I don't know more than you do that's for sure! I just don't believe Fender was ever swimming in leftover parts. They stopped Fullerton production in 84-85 and the USA Bullet line was already finished by that point. In 85 while they were transitioning almost everything was made in Japan. The few USA stuff they had were indeed leftover Fullerton parts but there wasn't much of anything and what they actually did have was almost entirely guitar stuff. The other reason the 70's tele neck doesn't seem likely (beyond profile) is the short scale model. Obviously there would be no tele bass necks made for short scale. So if you remove the short scale and all of the necks with maple skunk stripes you really don't have much left. I suppose maybe a few tele necks could have made it onto Bullets but it just seems very unlikely. I would need real proof to believe it.

they ran out of mustang bass bridges, so when smith took over, they developed the bullet as a way to get rid of all those mustang bass pickups without having to build more of those funky bridges :cool:

i just made that up :cool:

:roflmao::laugh:
 
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There are lots of leftover stock stories but I don't think any of them pan out. The 70's tele basses had a thicker profile and none that I have seen have maple skunk stripes. The profile on the Bullet basses is really pure 80's Fender and falls in line with the early 80's standards and even the reissue models. Fender made Mustang basses all the way to pretty much when these were introduced so there would be no leftover 70's stock. They are the same pickup though If there was leftover stock it was from 1981 and these came out in 1982.

Yeah, that may be the case. The skunk stripes were common in 70’s. However they also had the bullet truss nuts at the headstock. I guess anything is possible. My necks were pretty thick so I had them shaved down and the edges rolled when I had them refretted. I love those pickups. You have to tweak the height to get them balanced. But when you get there it’s a fat tone all over the board. I will never sell mine or stop playing them. To me they are perfect.
 
My first bass (1992/93) was a bright red Fender Bullet B-30. Even had a genuine Fender hardshell case that impressed all my friends when I showed up with it ("Oh wow he has a real Fender bass...oh, wait it's just a little one"). I can't imagine the case was original. I was 15 and upset that it didn't sound like Les Claypool's bass, so I eventually got rid of it. Nostalgia occasionally makes me look for another one, but then I see the prices and nah I'm good.
 
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That is very cool, red is the best looking of the factory finishes, with white a close 2nd. Is the neck "bigger" because of the width or is it thicker?
My "take it to my grave" '78 Musicmaster was always my prized bass but the original neck was like wrapping your hand around the big end of a Louisville slugger! The Bronco neck was a huge improvement for my arthritic hands.
In comparison to my musicmaster/bronco basses the neck of my bullet is a bit broader at the nut (42mm). The shape has more of the mentioned V shape, so feels pretty flat, but different from the bronco shapes. The lacquer is very thick and glossy. The body is broader, but the access to the higher frets is much better. The pickup is positioned closer to the bridge, which supports a brighter sound, but disturbing for me is the fact, that if I pluck with the fingers and dampen the strings with my hand, the plucking position is directly over the pickups, which induces very bright finger noises.
 
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PS: if I want to complain, there is one thing, that bugs me the most: that the tele headstock is not a proper tele headstock. The bulge is thicker than usual, maybe to accommodate the star decal. This always looks wrong to me and just aesthetically bad.
 
One of my favorite Fender basses and a bit of an oddball. They pop up in conversations here once and awhile and I usually pop into them but there has never been an official thread for them and lots of the info in the other threads is questionable. So here it is...a place to discuss the Bullet bass, show yours off, ask questions...whatever!

Bullet bass info (if there is something I got wrong I will update this):

The Fender Bullet bass was introduced in 1982. It featured an alder body and a maple neck with a maple fretboard. There was never a rosewood fretboard option. It featured a tele headstock and the nut width was a 1 ⅝” B width. The profile (as typical for the early 80’s) was thin from front to back. Some of them had a more pronounced V shape but that was probably just variance from neck to neck and not an actual different profile. Similarly some had walnut skunk stripes while others had a maple skunk stripe. The tuners were vintage style but with small shafts. The body was a scaled down Precision shape and was available in vintage white, red and black as standard options and sunburst or mocha/walnut for an additional fee. The pickup was a split single coil similar to a Mustang pickup. The story goes that they actually WERE leftover Mustang pickups but I don’t really know how to verify that. Structurally they look the same as what was being used for Mustangs in the late 70’s early 80’s so it’s possible. It’s also possible they were just made the same way so look the same but weren’t really “leftover”.

The Fender version came in two versions: a long scale “Deluxe” version (B-34) and a short scale version (B-30). The body for the long scale version was slightly different/larger than the short scale version but they used the same pickguard so the B-34 has a pickguard that doesn’t follow the contours of the bass as well as the B-30 does. Some of the pickguards on the B-34 had the B-34 moniker pressed into it. I have never seen that on a B-30 but its possible it happened. To the best of my knowledge while manufactured in 1982 almost all Bullets had a 1980 serial number with an occasional 1981 serial number (although that is much rarer). None that I have ever seen had an 82 serial number.

After a year of production in the USA production was moved to Japan and the Bullet was sold under the Squier name. The differences between the USA and Japanese ones are:
  • The short scale version was completely dropped but they used the smaller B-30 body size so the pickguards all fit well on these.
  • The “Deluxe” title was no longer used
  • The pickguards on the Squier version used 10 screws while the USA version used 12.
  • The body was made of basswood vs alder
  • The colors were reduced to black, sunburst and red only (red seems to be the rarest color)
  • The tuners were long shaft vintage style
  • The neck profile was just slightly thicker and more of a classic C.
Production lasted for about two years and all used a SQ serial number. There is a rumor that USA bodies and necks were sent to Japan however there is no evidence that is true and it’s highly unlikely especially considering that with the new management switchover USA production was slowing down and the Japanese plant was highly regarded as being as good.
Good stuff- the only thing I see is there was a short scale Squier bullet-
 
I bought a brand new Squier b-34 a week before my 14th b-day - I still have what’s left of it (the body) recently rebuilt it - warmoth super chunky neck, Curtis Novak mustang pickups (vintage wind) RS pots and the obligatory orange drop cap - oh I had a custom decal made for it too.
FB6D7C17-3CF3-4FE4-A23B-CC01FA8DEC3F.jpeg
 
The necks are so nice Do you have photos of those custom basses?
i dont think i have a pic of that bass but there are a few pics on here of a couple of my other custom made basses
one is a cigar box style festival bass with a reverse headstock with a zz top texas artwork and the other festival bass has a tele shape body with grateful dead artwork and ive got 2 currently on the table for 2 upcoming festivals im doing ones a fool style bass with a reverse headstock and the 2nd ones going to have a blues style artwork
 

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