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The Five Fret Prison---who knew?

Saw this on Facebook today:

Screen Shot 2023-08-02 at 9.22.20 AM.png


I've got an easier solution...get a Bass VI for another twelve notes on the B and C strings! You can get all the way to the A on the 14th fret of the G string at the 5th fret of the high E.

Man, go to jail for playing like Jaco, go to jail for only playing on the first five frets, get the electric chair for playing chords, I just can't win. I'm going to take up the kazoo.

Screen Shot 2023-08-02 at 9.32.20 AM.png


40 minutes! I've been at it for 50 years and still can't find that darn Cb and E#.

FOOTNOTE:
The Fender Bass V of the 1960s was designed with a high C string (tuned EADGC). The fifth fret of the C would get you to the F that's on the 10th fret of the G string. Since you had that C string, Fender threw away the upper 5 frets...it's only got 15 frets but you can still hit that high Eb except now it's on the highest fret of the C string :thumbsup:

FENDER_BASS_V_view.JPG
 
Saw this on Facebook today:

View attachment 5144912

I've got an easier solution...get a Bass VI for another twelve notes on the B and C strings! You can get all the way to the A on the 14th fret of the G string at the 5th fret of the high E.

Man, go to jail for playing like Jaco, go to jail for only playing on the first five frets, get the electric chair for playing chords, I just can't win. I'm going to take up the kazoo.

View attachment 5144938

40 minutes! I've been at it for 50 years and still can't find that darn Cb and E#.

FOOTNOTE:
The Fender Bass V of the 1960s was designed with a high C string (tuned EADGC). The fifth fret of the C would get you to the F that's on the 10th fret of the G string. Since you had that C string, Fender threw away the upper 5 frets...it's only got 15 frets but you can still hit that high Eb except now it's on the highest fret of the C string :thumbsup:

View attachment 5144950
I find the "five fret prison" funny, because as a bass player, I tend to think it sounds better to go to higher frets rather than go to higher strings. So for me it'd be more like the two-string prison (i.e. playing things mostly on the E and A strings)
 
Saw this on Facebook today:

View attachment 5144912

I've got an easier solution...get a Bass VI for another twelve notes on the B and C strings! You can get all the way to the A on the 14th fret of the G string at the 5th fret of the high E.

Man, go to jail for playing like Jaco, go to jail for only playing on the first five frets, get the electric chair for playing chords, I just can't win. I'm going to take up the kazoo.

View attachment 5144938

40 minutes! I've been at it for 50 years and still can't find that darn Cb and E#.

FOOTNOTE:
The Fender Bass V of the 1960s was designed with a high C string (tuned EADGC). The fifth fret of the C would get you to the F that's on the 10th fret of the G string. Since you had that C string, Fender threw away the upper 5 frets...it's only got 15 frets but you can still hit that high Eb except now it's on the highest fret of the C string :thumbsup:

View attachment 5144950
One of my basslines takes up open strings and frets 1-14 & 15.
 
I find the "five fret prison" funny, because as a bass player, I tend to think it sounds better to go to higher frets rather than go to higher strings. So for me it'd be more like the two-string prison (i.e. playing things mostly on the E and A strings)
I find this true too. As a four-stringer, standard tuning, I mostly end up on the D and G strings from the 4th or 5th fret on up. It's not a conscious thing, just seems to sound better for most stuff.
Thinking more analytically about that, aside from the tone, I consider the effect that the physical movement you're making has on the feeling of the part, and what it communicates, as opposed looking for the easiest way to play it. Sometimes having to make a big jump, stretch or slide to a note brings the right emotion for that part of the tune.
 
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It's so much easier to play up the neck. A 5- or 6-string gives you the freedom to almost never drop below the 5th fret.

As anybody who learned to play upright with Simandl knows, the instrument is a lot easier to play when you get above I, II and III positions. It's not as pronounced on electric, but the strings are easier to finger in the middle of the finger board.