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The Five Fret Prison---who knew?

Most of my basses and all my guitars have a C#.
My first bass with a D was a Kubicki and now one of my 5s has a D. My P basses don’t have a D but my J does.

I glue the bottom half of a capo at the octave so I can’t play above the 12. “The BL” made me do it.
Fire the BL
 
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My first band as a bass player had a BL that kept telling me there's no money to made above the 7th fret on bass....or was it the 5th fret. I don't actually remember...LOL.

Regardless, I didn't last long with them.
 
40 minutes! I've been at it for 50 years and still can't find that darn Cb and E#.

I dunno dude, they're there! :roflmao:

800
 
Saw this on Facebook today:

View attachment 5144912

I've got an easier solution...get a Bass VI for another twelve notes on the B and C strings! You can get all the way to the A on the 14th fret of the G string at the 5th fret of the high E.

Man, go to jail for playing like Jaco, go to jail for only playing on the first five frets, get the electric chair for playing chords, I just can't win. I'm going to take up the kazoo.

View attachment 5144938

40 minutes! I've been at it for 50 years and still can't find that darn Cb and E#.

FOOTNOTE:
The Fender Bass V of the 1960s was designed with a high C string (tuned EADGC). The fifth fret of the C would get you to the F that's on the 10th fret of the G string. Since you had that C string, Fender threw away the upper 5 frets...it's only got 15 frets but you can still hit that high Eb except now it's on the highest fret of the C string :thumbsup:

View attachment 5144950

Go fretless, and be free of speed bumps, forever.

The entire fretboard will become your kingdom, with no limitations. :thumbsup::bassist:
 
I tried SBL for one year but I just found all this kind of stuff really patronising.
I watched a few of the videos a few years ago, and found them not overly helpful because they did not include any written music (not tabs or bass clef), it was just Scott explaining verbally how to play a bass line or exercise by describing which finger to put on which fret in which order. It was an agonizingly slow way to get through the notes, and not conducive to memorising anything.
 
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