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The Fulltone GT500 has shipped

i bought one a week or so ago. it ROCKS.

besides all the great features everyone knows about (order switch, two pedals in one, extensive EQ options....), this thing kicks butt in the tone category (for some- it obviously won't please everybody. what piece of gear does?). on the one side, you get a nice, FAT, warm boost with available drive for fullness and spice. on the other side, you've got a very versatile high gain distortion/boost (both sides give you up to 25dB of boost). putting the boost first gets you even MORE gain when both sides are activated; putting the distortion first yields your distortion sound, but LOUDER (and fatter, if you so choose).

the whole pedal cranks out oodles of lows, so no worries there. the "highs" control on the "Fat-Boost" side is a treble-cut type of control. the "mids" control on the distortion side is a wah-pedal inductor... which means you get a sweepable and tight notch filter to help you hone in on the frequencies you need to cut through a mix.

i'm still getting to know the little beast, but so far it's amazing.

Rock&Roll.
http://[malware url removed].net/vicious-smiley-1815.gif

That sounds awesome. You guys have any more? I wanna come try one out... seems like what my Metal Muff is lacking.

I really like that knob on the top. Changing what'd go first (boost or distortion) seems awesome.
 
I'm curious about this pedal too, though I actually don't really like Fulltone effects. Does anyone else find Fulltone effects to sound sterile? Still, you'll probably see me with a Bassdrive Mosfet on my board, you got to hand it to Mike Fuller, his pedals seem to get the job done better than most of what's out there.
 
I'm curious about this pedal too, though I actually don't really like Fulltone effects. Does anyone else find Fulltone effects to sound sterile? Still, you'll probably see me with a Bassdrive Mosfet on my board, you got to hand it to Mike Fuller, his pedals seem to get the job done better than most of what's out there.

to me, it's not a question of sterility (or maybe it is, i don't know...) but of perfection. Fulltone effects are too perfect. when an effect is too perfect, it lacks The Mojo that we all crave.

now, "too perfect" isn't bad, per se... i just really miss The Mojo when it isn't there.

that being said, i really like the GT-500 and the OCD. :D