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The Great Metronome Debate

I never said it lowered musicianship, playing skills or produce bad technique. I don't argue against them. I point out invalid arguments.
Jeff Berlin is using his “emotional” anti metronome rhetorics to promote his learning materials, his expensive school.
It’s a well-known marketing tool, and I have no problems with it.
What are you promoting?
If you are trying to inform us (brag about) how Talented you are, along with some other nice TB members,
Then, I have a word for you...
Are you seriously in need to get our confirmation how talented you are?
Should I tell you what my Mom said to me about those who brag about their “importance”?
 
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Jeff Berlin is using his “emotional” anti metronome rhetorics to promote his learning materials, his expensive school.
It’s a well-known marketing tool, and I have no problems with it.
What are you promoting?
If you are trying to inform us (brag about) how Talented you are, along with some other nice TB members,
Then, I have a word for you...
Are you seriously in need to get our confirmation how talented you are?
Should I tell you what my Mom said to me about those who brag about their “importance”?
I have no idea where you get any of that from.
 
Drummers are not perfect, but I don’t know any good drummer that doesn’t practice with a metronome. Time and consistency is valued highly as a drummer. The ones that can’t keep time, usually get replaced very quickly with someone who can.

What confuses me is how many people are against metronomes, drum tracks, click tracks, etc. They don’t deteriorate a persons musicianship if they use one, other wise people like John Patitucci would be considered a terrible bassist for using one.

I would never say that using a metronome makes a musician deteriorate. I'm also not against them. Saying that, I know A BUNCH of great drummers here in Nashville, and in NYC who never practice with metronomes, and are perfectly good time keepers. So, my opinion is that using a metronome doesn't make you play worse, but not using one doesn't make you play worse either.
 
This argument feels dangerously close to arguing against practice all together. Why strive for greatness or even perfection when we are all imperfect anyways. That line is way more nihilistic than I think you intended it to be. Frankly speaking, I don't enjoy playing with drummers who don't have a strong sense of time and I try to quickly remove myself from situations where I am working with a drummer like that. It's a drummer's primary job to keep time. If they can't do it then they don't belong on the gig. Sorry, not sorry.

I'm not sorry to say that you've gone and completely twisted what I said. I've known drummers who practice 8 hours a day with a metronome, but they still can't keep good time. Sometimes, you get thrown into a situation where you have to play with a guy like that. No, it's not ideal, but it definitely happens!
My point was never not to practice. I don't see where I even imply that, or "come dangerously close" to saying that. I practice a LOT. I just don't use a metronome. Experience and just playing in general are what give me good time in my experience. When I practice, I read music I've never read before. First, out of time until I learn the notes. Then, I work on the rhythms and playing it in time.

I also disagree that it's a drummer's primary job to keep time. It's everyone's job in a band to keep time collectively. If a band can't collectively keep time, then they don't deserve the gig. Sorry, not sorry.
 
Hyperbole level over 9,000. I don't think it's productive for me to continue this conversation. I said my piece and I read yours. We feel differently. Life will move on.

If you think I'm exaggerating, you're wrong. No hyperbole. I went to music school with drummers who did that. They still couldn't keep time. 8 hours a day and with a metronome. The specific guy I'm thinking of ended up working at Guitar Center, and then got out of music completely. Some people just don't have good time, and won't no matter what they do.

For the record, this entire thread isn't productive. No one's mind is going to be changed on either side, and that isn't my aim anyway. All I can offer are my opinions and my own experiences.

Gotta go. Life's moving on...
 
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For the record, this entire thread isn't productive.

Here is my first post in this thread.

I can only (!) see this thread started by a knowledgeable musician as a troll to purposely incite “empty emotional battles” going nowhere (!), changing Nothing (!), providing Zero musical values!
Another one.
Once again - There’s No debate about the metronome.
Have doubts about the metronome - don’t you ever use or even think about it.
Just play and exercise, and enjoy what you are doing.

I went to music school with drummers who did that. They still couldn't keep time.

I can tell numerous stories when PARENTS were so convinced that their children are the MOST talented children in the world and pushed them hard (paid big bucks) from very early years to play violin or, in worse case scenario, the piano, but...
Those children NEVER have become superior Classical Musicians.
Nothing new under the Sun.
 
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Here is my first post in this thread.


Another one.




I can tell numerous stories when PARENTS were so convinced that their children are the MOST talented children in the world and pushed them hard (paid big bucks) from very early years to play violin or, in worse case scenario, the piano, but...
Those children NEVER have become superior Classical Musicians.
Nothing new under the Sun.

I agree with everything you've said here. The quote from me that you used was to point out to someone else that I wasn't exaggerating. I can see learning music from a young age being good for being disciplined in general, but no, it won't make someone automatically a prodigy.
 
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Honestly, this thread is pretty pointless.
Some people have found that using a metronome is helpful in a variety of different ways. Others have found no need for it.

In the end, it all depends on the musician and what works for them. Other people’s opinions should not matter. If using a metronome, learning theory, using flat wound or round wound strings, 4 string or 7 string basses, it should not matter. Ive seen people kick ass with step ups I didn’t care for, that doesn’t change their level of musicianship though. Obviously everyone practices differently and on different things.

To the OP, if you feel a metronome helps you, then use it. If you feel it doesn’t, then don’t. Don’t let anyone’s opinion or belittling change your mind. It’s all about what works best for you, and will help you progress as a musician.
 
I would be happy to participate in a discussion on how to effectively use a metronome, drum machine or other. But some one else can start that thread.

I'm not sure many people on this forum know how to use a metronome in useful, productive, and sensible manner. You’re best served by bringing it up on the DB side.

We sure as hell can argue about metronomes though, and the mere mention of Berlin's name is like a drop of blood among a throng of hungry sharks.

Priorities....
 
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Folks,

I am going to ask the Moderator to close this thread on a friendly note. The intent was to see if there was a reason ( as opposed to a preference) for not using a metronome. With 175 posts, you can draw your own conclusions.

There's no need to close the thread, and I think there is, remarkably and through all the noise of they're great to they're of no benefit, an unwitting consensus that there are no proven reasons to not use a metronome.

Perhaps a better question might have been 'What might be the risk factors associated with using a metronome, and how might these outweigh the benefits?' To my mind, the biggest risk is leaving it on the floor in the practice room and tripping over it on your way back from the bathroom...