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The obsession with distortion

My impression has always been that distortion on guitar was meant to replicate the lead instrument it was replacing, the saxophone. Maybe not right, but that's what's always lodged in my brain.
Only Allan Holdsworth has succeeded in replicating the saxophone in sound,tone and technique.
And that's in the Jazz Fusion context.
Not Rock.
 
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Dang good question but really, all in all, it comes down to subjectivity. I like all tones, clean tube sound is my favorite. Sometimes though, ill hit on my grey stache and just be revitalized with a diversity of sounds. Love it all.
 
Hey all, I just want to get some insight on why everyone. (edit, so many ), seemingly regardless of instrument, are
just so into maxed out fuzz , distortion, overdrive, etc.
Don't misunderstand me. I'm not into crystal clean, some OD to a reasonable degree gives the sound some edge.

We buy amps with huge amounts of headroom, just to distort the crap out of everything with a box. Even electronic drums, keyboards are just into distorting everything into mush.

Help me understand why when we now have thousands of watts at our disposal, either backline or FOH. Why the obsession with distorting the the crap out of everything.

I do see plenty of distortion threads. Your post may be an exaggeration, but I see where you're coming from. I don't know myself either, I've used distortion from time to time myself, but it's not a common effect for me, seems to get a lot more attention here in relation to how often it's actually used. Even most of the guys known for distortion just use a dusting of it, very few Lemmys and Cliff Burtons in the real world, and very few people even on these pages consider theirs "good bass tones." Why does everyone demo basses slapping all over the place, when slap bass is heard on .0000024% of the recordings ever made? I don't know that either. They are fun sounds to goof around with I guess.
 
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to me, the only time distortion or fuzz sounds good on bass is when it's the only instrument in the band with that effect on. if bass is to be distorted, the other instruments need to give it some sonic space or it just gets kind of lost. i'm sure you aficionados out there can correct me, but that's just been my experience.
 
Hey all, I just want to get some insight on why everyone. (edit, so many ), seemingly regardless of instrument, are
just so into maxed out fuzz , distortion, overdrive, etc.
Don't misunderstand me. I'm not into crystal clean, some OD to a reasonable degree gives the sound some edge.

We buy amps with huge amounts of headroom, just to distort the crap out of everything with a box. Even electronic drums, keyboards are just into distorting everything into mush.

Help me understand why when we now have thousands of watts at our disposal, either backline or FOH. Why the obsession with distorting the the crap out of everything.

If all we wanted was a pure fundamental note then we would play synth bass. Bass is about overtones. That is why basses are made of wood. Wood colors the overtones ... also distortion adds color and character and noise to the signal ... this makes the bass notes more interesting and more pleasant.


That being said ... too much distortion makes for just unpleasant noise ...
 
Hey all, I just want to get some insight on why everyone. (edit, so many ), seemingly regardless of instrument, are
just so into maxed out fuzz , distortion, overdrive, etc.
Don't misunderstand me. I'm not into crystal clean, some OD to a reasonable degree gives the sound some edge.

We buy amps with huge amounts of headroom, just to distort the crap out of everything with a box. Even electronic drums, keyboards are just into distorting everything into mush.

Help me understand why when we now have thousands of watts at our disposal, either backline or FOH. Why the obsession with distorting the the crap out of everything.
I like fuzz for certain things. But distorting the crap out of it is something I only do when I feel it's warranted. Usually I just add a little bit of light overdrive to give the clean sound a little extra body or I'll run clean. In my new band where we write everything, I'm doing nothing but dirty and effected sounds, and I throw the hammer a little harder with them. but my basic sound could easily be mistaken for clean in a mix. A little hint of overdrive gives the mix a bit of glue so everything sticks together. And even fuzz doesn't always come off so insane sounding in a mix, either. It can, but there are some fuzzes that tend to disappear into the woodwork. I don't like those kinds of fuzzes. I want a blowtorch.

:D
 
I think the reason people like distorted guitar and bass is for the same reason we love those Precision, Jazz, T-Bird, EB-3, Ric 4003 bass sounds, because so much music we have heard was made with these instruments and amps that had tube distortion.
It has often been the sound of our favorite music.
It became a comfortable likable reference point for many people.
I have always liked dirt in my music, my first favorite songs were all early/mid/late 60's rock that was on the dirtier side of things.