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A fad that's been going strong for 50+ years? That's a weird way to look at it!
The "L.A. Bass Sound"50+ for bass players? Not really...from the mid 70s until the early 90s there wasn't that much use of distorted bass. That was a period where mainstream bass sounds got very clean, with high powered amps, active electronics, "hi-fi" cabinets, etc.
Ike Turner had all of them beat by what, 15 years?
Good one!Paul Burlison was a couple years before that, 1956's "Honey Hush" (B-side of Train Kept-a-Rollin'").
How ' bout the 1st guy to rip his speaker and use tape on his cones to create the fuzz/buzz fx.I think maybe the first guy who dropped his amp invented distortion.
--^@
This is true. I think Dave Davies was one of the first. He says he slashed the cab with a razor after a fight with his girlfriend. Ended up recording "you really got me now" with a ripped speaker cone.How ' bout the 1st guy to rip his speaker and use tape on his cones to create the fuzz/buzz fx.
Only Allan Holdsworth has succeeded in replicating the saxophone in sound,tone and technique.My impression has always been that distortion on guitar was meant to replicate the lead instrument it was replacing, the saxophone. Maybe not right, but that's what's always lodged in my brain.
Hey all, I just want to get some insight on why everyone. (edit, so many ), seemingly regardless of instrument, are
just so into maxed out fuzz , distortion, overdrive, etc.
Don't misunderstand me. I'm not into crystal clean, some OD to a reasonable degree gives the sound some edge.
We buy amps with huge amounts of headroom, just to distort the crap out of everything with a box. Even electronic drums, keyboards are just into distorting everything into mush.
Help me understand why when we now have thousands of watts at our disposal, either backline or FOH. Why the obsession with distorting the the crap out of everything.
Hey all, I just want to get some insight on why everyone. (edit, so many ), seemingly regardless of instrument, are
just so into maxed out fuzz , distortion, overdrive, etc.
Don't misunderstand me. I'm not into crystal clean, some OD to a reasonable degree gives the sound some edge.
We buy amps with huge amounts of headroom, just to distort the crap out of everything with a box. Even electronic drums, keyboards are just into distorting everything into mush.
Help me understand why when we now have thousands of watts at our disposal, either backline or FOH. Why the obsession with distorting the the crap out of everything.
I like fuzz for certain things. But distorting the crap out of it is something I only do when I feel it's warranted. Usually I just add a little bit of light overdrive to give the clean sound a little extra body or I'll run clean. In my new band where we write everything, I'm doing nothing but dirty and effected sounds, and I throw the hammer a little harder with them. but my basic sound could easily be mistaken for clean in a mix. A little hint of overdrive gives the mix a bit of glue so everything sticks together. And even fuzz doesn't always come off so insane sounding in a mix, either. It can, but there are some fuzzes that tend to disappear into the woodwork. I don't like those kinds of fuzzes. I want a blowtorch.Hey all, I just want to get some insight on why everyone. (edit, so many ), seemingly regardless of instrument, are
just so into maxed out fuzz , distortion, overdrive, etc.
Don't misunderstand me. I'm not into crystal clean, some OD to a reasonable degree gives the sound some edge.
We buy amps with huge amounts of headroom, just to distort the crap out of everything with a box. Even electronic drums, keyboards are just into distorting everything into mush.
Help me understand why when we now have thousands of watts at our disposal, either backline or FOH. Why the obsession with distorting the the crap out of everything.