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I think the "growl" come from the amp settings. I have an American Standard PBass and definitly like the sound. You go from sounding like hitting a wet cardboard box with a hot dog to getting a good blues or rock sound. My PBass just sounds different with different amps.
As for P-bass growl specifically, well, John Entwistle's playing on Live at Leeds four decades ago is still a classic example. On that album it comes out a little better when he's playing pickstyle:
https://www.youtube.com/watch?v=_ZUMg6Maht4
https://www.youtube.com/watch?v=ea0759BeJ2U
https://www.youtube.com/watch?v=Sg3fmZyE3cg
P.S. On that album Entwistle is panned full left and Townshend full right, so if you want to hear Ox' playing in all its glory, pan left!
Not saying a pbass cant be present in the mix, but definitely harder to do so compared to a rick or jazz. Rocco doesnt play in a band w distorted guitars etc.
Same reason James Jamerson is present in the mix, cause the mix he plays in are usually quite sparse with lots of sonic space for him to do his fills

To me, my P's growl with stainless steel rounds, played with a pick. I play ampegs, so I usually dial in a lot of mids ...
Feel free to post any "sparse" sounding Motown tracks...they were about as dense as a medical textbook. I play up against two distorted guitars every week and a Precision does a better job than any Jazz cutting through, and I owned two J's. Precisions being able to handle dense (or sparse) mixes is exactly why they are so popular.![]()
I pluck hard and close to the bridge
and I like low action so the frets
growl. The settings depend on the
bass and the amp. Just too many
variables there,
Tabdog
To me, P basses as have a "grind" to the sound and Jazz basses have a "growl" to thier sound especially within the bridge pickup.
Just my opinion.
I've nailed my personal P growl: stainless steel rounds, low action, pluck with my fingers just behind the pup, boost the low-mids on a SVT.
The location of where I play makes the biggest difference for me. Playing over the pup gives a kind of muddy sound and the growl isn't as pronounced.
To me, P basses as have a "grind" to the sound and Jazz basses have a "growl" to thier sound especially within the bridge pickup. Just my opinion.
This has always been the way I have characterized them as well.
Here is my personal benchmark of P-Bass grind, Start at 7:40 in:

I find P basses to be the most responsive to subtle variations in right-hand technique. I can situate my P in the mix fairly successfully simply by altering where I pluck, how hard, and the attack/sustain/decay of the note.