After playing jazz basses since 1997 . I finally got my first p bass a 62 reissue . All I can say is the tone is amazing . I thought jazz basses where # 1 . Still smiling from last nights band practice.
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I think you're making a broad generalization there. I own a '62 reissue P, gig it regularly, and it sounds identical...IDENTICAL to anything I hear on recordings made with a similar vintage instruments from way back when....
By and large, with post 57 'P's (the split -coil PUP era) I think one might categorize it by saying that there is a slight difference between the rosewood board (darker sound) and the maple (brighter), but not much more than that. Generally speaking, a 'P' is a 'P' is a 'P'.
I think you're making a broad generalization there. I own a '62 reissue P, gig it regularly, and it sounds identical...IDENTICAL to anything I hear on recordings made with a similar vintage instruments from way back when....
By and large, with post 57 'P's (the split -coil PUP era) I think one might categorize it by saying that there is a slight difference between the rosewood board (darker sound) and the maple (brighter), but not much more than that. Generally speaking, a 'P' is a 'P' is a 'P'.
Did someone mention 801?
maybe so but the major growl comes from the Trolls under the bridgeIT IS THE GNOMES!!! I've seen then...they live under the pup covers!
I dont agree at all i have both old and modern fenders, and the vintage models sound different. That's like saying a strat is a strat and clearly no one would agree with that, i have an american standard strat from the eighty's. A friend of mine was kind enough to loan me his 63 strat, the difference was like chalk and cheese and everyone without exception noticed.
I dont agree at all i have both old and modern fenders, and the vintage models sound different. That's like saying a strat is a strat and clearly no one would agree with that, i have an american standard strat from the eighty's. A friend of mine was kind enough to loan me his 63 strat, the difference was like chalk and cheese and everyone without exception noticed.
I dont agree at all i have both old and modern fenders, and the vintage models sound different. That's like saying a strat is a strat and clearly no one would agree with that, i have an american standard strat from the eighty's. A friend of mine was kind enough to loan me his 63 strat, the difference was like chalk and cheese and everyone without exception noticed.
Slight variances, yes...but it's not going to be night & day.
I bet you'd be hard pressed to listen to unlabelled audio tracks of those 2 guitars & tell which was which.
I dont agree at all i have both old and modern fenders, and the vintage models sound different. That's like saying a strat is a strat and clearly no one would agree with that, i have an american standard strat from the eighty's. A friend of mine was kind enough to loan me his 63 strat, the difference was like chalk and cheese and everyone without exception noticed.
Ugh. I'm way more of a Ric guy, (especially the thicker-sounding ones like my '03 4003, which cuts and provides excellent lows), but nobody mentioned John Wetton ina thread about aggressive P bass tone???
Seriously? He made a P bass sound as if Zeus took the form of a bass guitar.
Anger: