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The right set-up

Once you've done your research and decided on a general approach, i.e. number of cabs, power requirements, solid-state or tube, outboard gear (if any) etc., you should buy the best possible quality USED gear you can, because I guarantee you will want to change things at some point and quality used gear--in good condition--will have good resale value. For 2K you should be able to put together a really fine rig that you would be able to get 1.8K back out of should you wish to sell it.

I agree with others who advise getting two 8-ohm cabs--maybe two 112's or two 210's--and a head that will have plenty of head room with a 4-ohm load (both cabs running). Be sure to stack them vertically.

Go with quality, you won't regret it.
 
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Add the fdeck HPF3 for keeping the octaver in check, stat.
While I have lots of respect for Fdeck and his HPF is very nice and not too much money, I don't know that you need it to keep an octave box in check. I use one all the time without needing it. Of course, I'm not trying to throttle a too-small cab with lots of volume, either, but still...
 
This is what's going to happen : You start playing at coffee houses, etc., ie.e relatively small places that are not necessarily 'concert' venues. For that you need a portable, yet versatile enough rig to let you 'feel' your sound. I'm the same way. I got a Fender Rumble 350 combo for that. Plenty of head room, buy the foot pedal and it has an overdrive built in for when you want to kick it up! Very portable, probably in the $500 range. Then, as you get better, join a band or start playing larger venues/outdoor gigs, you need a rig that will fill that space and not require a fork lift to haul around! My choice was an Ampeg SVT 410 Hlf Classic cab mated to an Ampeg SVT 7 Pro in a road case with a Furman Power conditioner, in line tuner and wireless receiver. That will take up the remaining dollars in your budget and give you the low end you want, and you'll be able to load out and in without throwing your back out!
 
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