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The SCP - Single Cut P-Bass

View attachment 5009926

I wish I understood what was going on in this picture?!

The lamintations in the neck will (hopefully....:help: with some luck:nailbiting:) line up with the 3rd, 5th, 7th, 9th, and 12th frets. So while it looks a bit odd, it does have a functional purpose.

The body woods are just stacks until I figure out exactly how I am going to laminate them up. The Walnut as the top, and the Maple as the back is pretty fixed, the sandwich in the middle is at issue, as A) I don't want to buy additional lumber, and B) the mahogany is not quite wide enough on it's own - and even if it was, I'm not sure I trust it structurally.
 
I absolutely still do not understand that at all, but carry on!
Maybe this picture is more helpful as it shows the other wing for the headstock being glued on and the neck tapered.
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I've been playing a southern pine body for nearly three years and I have had zero issues with it, other than buckle rash. I'm sure your woods are harder than that.
I'm not sure about that.. some southern pine (especially old growth stuff from upcycled boards) can be very hard.

This particular piece of mahogany is fingernail dent type stuff. The pieces I used for the body of the Rick-man were much better.
 
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My rudimentary router sled. It also serves as my truss rod jig and table saw sled. I was able to flatten the body joint area.
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I went ahead and cut the headstock angle and began the process of getting that sorted. I'm debating putting a top on the headstock or just leaving it like this...
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I also leveled the back of the neck in preparation for gluing the fretboard in place and doing the frets.
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I'm sure it's not going to line up 100%, but it's going to be close and look pretty neat!
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I thought through my checklist, and I can't think of any reasons not to go ahead and attach the fretboard. After making sure that all the critical parts were in place (bruce bars, truss rod, etc) and more importantly, that the binding was installed (at least temporarily) on the "flat" (treble) side of the neck, I used tape to hold the flat edge together and in place while gluing the fretboard in place.

That pearloid binding is going to look sharp! It also provides a nice break between the walnut and curupay.
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Well. The lines aren't going to match up perfectly. I got 3, 5 and 7. The one for 9 wound up around 10, and the one for 12 wound up near 16....
20230328_161841.jpg


That said, I really like the way the neck looks at this stage, and am pretty happy with the way things are going so far.
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Next steps...
Glue up the body blank.
Make a template for the end of the neck.
Make a template for the neck recess.
Complete the mechanical connection between the neck and the body.

Somewhere along in there, I'm sure I'll wind up carving the neck and fitting the tuners...
 

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