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theory over rated

Thank you for pointing that out!

To the OP- there is no race, no timetable. Learning about music, and how to express yourself clearly with it is a lifelong journey. So learn those songs you want to know. Write down how long it takes you to get them close, and then how much longer it takes to get them perfect. Then go back and work on your chord theory (just triads and 7 chords for now), and then see if it helps you learn the next batch of songs faster.

The thing about theory is that, once you tie it into songs and how it sounds, it makes learning new songs, or writing your own parts for brand new songs, much easier. Not having to fumble over potential note choices, or being able to really tell what a drummer is doing rhythmically, will help your creativity, your flow, your groove- it will help your playing. But take it as it comes. Like a previous poster said, it's not a sandwich that needs to be finished in one sitting, and there really is a bunch of stuff in there.
This is excellent advice.

Never conclude that you've finished learning. You can get to the stage where you've learned "enough" - but there's always more, and it's never a waste of your time.
 
Theory is 4 loosers. U dont need theory 2 shred on teh base. most base playas who use theory cant play thier way out of a wet paper bag. rock and role has NUTHING 2 do with theory its all abowt how hard U can rawk or shred. teh most impotent thing in rawk muzik is yer image and how low U where your base (it shood be right arownd nee-levil) beesides theory is 4 loosers who want 2 play week-ass krap liek jazz which knowone lieks anywayz. jazz sux anywayz. stoner doom mettle is way h4rder 2 play. U dont kneed theory 2 play stoner doom, just the rite atitood.
lucas - that's the biz, man. i lik your atitutde. but can u tell me if i shud play stoner b5 or dooom b5?
 
Theory is 4 loosers. U dont need theory 2 shred on teh base. most base playas who use theory cant play thier way out of a wet paper bag. rock and role has NUTHING 2 do with theory its all abowt how hard U can rawk or shred. teh most impotent thing in rawk muzik is yer image and how low U where your base (it shood be right arownd nee-levil) beesides theory is 4 loosers who want 2 play week-ass krap liek jazz which knowone lieks anywayz. jazz sux anywayz. stoner doom mettle is way h4rder 2 play. U dont kneed theory 2 play stoner doom, just the rite atitood.

We are so PWNED.;)
 
Theory is 4 loosers. U dont need theory 2 shred on teh base. most base playas who use theory cant play thier way out of a wet paper bag. rock and role has NUTHING 2 do with theory its all abowt how hard U can rawk or shred. teh most impotent thing in rawk muzik is yer image and how low U where your base (it shood be right arownd nee-levil) beesides theory is 4 loosers who want 2 play week-ass krap liek jazz which knowone lieks anywayz. jazz sux anywayz. stoner doom mettle is way h4rder 2 play. U dont kneed theory 2 play stoner doom, just the rite atitood.

This, sir, is a werk uv artz. :D
 
Theory is 4 loosers. U dont need theory 2 shred on teh base. most base playas who use theory cant play thier way out of a wet paper bag. rock and role has NUTHING 2 do with theory its all abowt how hard U can rawk or shred. teh most impotent thing in rawk muzik is yer image and how low U where your base (it shood be right arownd nee-levil) beesides theory is 4 loosers who want 2 play week-ass krap liek jazz which knowone lieks anywayz. jazz sux anywayz. stoner doom mettle is way h4rder 2 play. U dont kneed theory 2 play stoner doom, just the rite atitood.

Is this cat serious?

If so, I can come to two conclusions.

1) He hates theory because he apparently hates the alphabet.
2) He listens to ICP
 
Iv taken lessons for over a yr now and iv learned some theory. My question is do I really need to learn all the scales or should I just learn to play the songs I want to play..which happens to be the reason that I want to play bass in the first place

If you don't know the scales, arpeggios and harmonic theory, you'll have a limited vocabulary and won't be able to play what you want, when you want unless it's pretty uncomplicated.

If you analyze the songs, musically, you'll be amazed by what you find. Some people study for their whole life and feel that they know very little. If you stop studying now, you'll undoubtedly find some other style that interests you and it will be harder to pick it up.

Are you doing any ear training?
 
helterschecter said:
Iv taken lessons for over a yr now and iv learned some theory. My question is do I really need to learn all the scales or should I just learn to play the songs I want to play..which happens to be the reason that I want to play bass in the first place

Your question contains a statement of your purpose -- to play the songs you want to play -- right?

Seems to me that if you have the natural inclination to noodle around on your bass until you can find the basslines you want to play (by ear), then scales may be beside the point for the moment. Just keep fumbling until it gets easier. That's how good ears develop!

But most music/melody is naturally organized around the series of notes that make up scales. Learning by ear involves your fingers finding parts of those same patterns on your instrument, when your ear tells you you need them.

If your purpose broadens, you may decide later you want to equip yourself with some of ideas and tools offered by music theory. Scales are part of that.

But if you're struggling to play by ear, then having a teacher show you these pattern/series of notes might help your ear (that is, your sense of melody) to connect to your instrument.
 
Another thing music theory helps with is when learning to play different insturments. I've been playing guitar for years and learning theory along the way. I've only been playing bass for two months, but because I know diatonic chord/scale structure I can figure out a basic bassline for any key in any progression, write it out, learn it, and then get creative with it.
I'm learning piano as well, and that's an insrurment where you can really "SEE" how the chord/scale/harmony structure comes together.

I don't use music theory as an absolute law, I use it as a guide, and so far from what I've learned it's guided me very well.

All that doesn't mean I'm a good bass or piano player by any means, quite the opposite I'm a beginner in both and have to loonnnnnng way to go and lot of woodshedding ahead of me.

For me, music theory has helped me become a better musician.
 
I assumed so, but such craftsmanship of illiteracy was astoundingly convincing.

It literally hurts my head to do it.

It's a skill like anything else (learning to write and read modern stoner/doom metal textlish as it is practiced by today's generation)

Theory a waste of time?

I never thought so. I compare music to the martial arts. It's all about underlying principles and foundations, and overall systems of logic. Take a martial art like modern strip mall Tae Kwon Do. They are basically just teaching preset responses to preset situations. Guy punches you with right hand, you do "x" or "Y". But what they fail to teach is what happens if guy pulls his punch as a fake and then hits you with a knee instead. This is comparable to only only learning a note-to note rendition of some song perfectly, and then trying to apply the patterns you just learned to every other situation. You will be hopelessly lost in a paradigm shift of epic porportions.
Now, if you take a sport's based martial art such as boxing, muay thai kickboxing, judo or brazilianju-jitsu, where they work on underlying principles and then apply them to every situation, you have a huge edge over the average opponent. These sports-based martial arts teach you the basic theory, learning them in a creative enviroment where you have to apply those same basics to real-time problem solving.

But without those basics, you can't easily play different styles.
We have all seen the heavy metal guitarist, for example, that is utterly lost when playing with a bluegrass or folk music act. They generally can't play properly without the safety net of heavy distortion, and then they try to fit their blues -based pentatonic lead solos to it, and are unable.

They feel totally lost and can't figure out why the limited riffs and patterns they learned from focusing only on one style with out learning any theory won't help them play a different style.

It's been my experience that once you have learned theory to an advanced level, you can pretty much play any type of music. And even those who for example, have only ever played classical music and have never improvised, are with enough exposure to and experience with something like bluegrass, able to play it just fine.
 
Why do you keep bashing a single genre (stoner/doom metal) as the epitome of wrongness and the opposite of educated?

I really want to take the side of "more education = more opportunities" in this thread, but I am not sure if occasionally enjoying slow and repetitive riffs is somehow going to make me dumber and unable to give that piece of advice. I live in the butt of Europe and probably I am missing something stereotypical about doom fans in the developed and civilized world these days, but aren't most die-hard fans of any genre (and only that single genre) annoying and purveyors of ignorance, anyways?
 
No. Most of the time, people into things like "stoner/doom metal" are only into that particular type of music. Of course, the 2 or 3 people in this world that like stoner/doom metal AND smooth jazz at the same time, and in equal amounts, will surely chime in soon trying to say I am wrong.


But, I just used it as an example. It could apply to people who like other styles as well. Mostly hip hop and punk.

The point was that the OP was saying that you don't really need theory to play music. I say that is true, if all you are interested in being a stoner/doom bassist. But you need some degree of theory to be able to play 90% of all music.
 
You're f****ed now. It all depends on how you learned. If you learned by ear, theory is ehhh, ok. If you learned by theory then you will use your ear 2nd.

Don't let theory make you play stuff cause you 'should'..all the good ones play what they 'hear' anyway.