RedLeg
Supporting Member
You can have fun and play blues and covers every weekend and no one will fault you for it. You can also step up your knowledge and learn about minor 2 5 1's and altered dominants etc. and really begin to understand how to improv and comunicate with other learned musicians. Theory opens doors, not places constraints on you.
Special shoutout to the people that think theory kills originality and places constraints on you. Knowlegde never constrains you. There really aren't any set rules in stone; but rather penciled in. Harmonies that are popular today, were verbotten 100 years ago. Hell, they have been trying to resolve that pesky tritone in the dom7 chord for years. then it became easier on the ears to handle, and it became part of modern music.
There are only 11 notes. it is what you do with them that makes it interesting. Some will be able to theorize better than others about what is happening at any givin time related to music, but it always boils down to what sounds good and what are you doing with those 11 notes. Hell there is even a way to land on the 4 of a 1 chord and make it work. But you have to know how to do it. You can't get lucky on that on kiddies! Ya gotta know some theory to improv; else you sound lost and confused. It is like listening to a conversation between a native english speaker and some one that cant speak a lick of english. The non english speaker may get some words right, but the syntax and overall flow to the sentences will be all off. But with practice, you'd never be able to tell. So plug away at some theory. It will come.
Theory kills originality and places constraints on you my a$$. I guess the world isnt ready for your new hipness, that is probably a cheap knock off of some other doosh's bad music. News flash, nothing you unlearned arse's are doing is completely original. In music, something is always borrowed. Now quit being lazy, learn some theory and write some decent music, because we need it!
Special shoutout to the people that think theory kills originality and places constraints on you. Knowlegde never constrains you. There really aren't any set rules in stone; but rather penciled in. Harmonies that are popular today, were verbotten 100 years ago. Hell, they have been trying to resolve that pesky tritone in the dom7 chord for years. then it became easier on the ears to handle, and it became part of modern music.
There are only 11 notes. it is what you do with them that makes it interesting. Some will be able to theorize better than others about what is happening at any givin time related to music, but it always boils down to what sounds good and what are you doing with those 11 notes. Hell there is even a way to land on the 4 of a 1 chord and make it work. But you have to know how to do it. You can't get lucky on that on kiddies! Ya gotta know some theory to improv; else you sound lost and confused. It is like listening to a conversation between a native english speaker and some one that cant speak a lick of english. The non english speaker may get some words right, but the syntax and overall flow to the sentences will be all off. But with practice, you'd never be able to tell. So plug away at some theory. It will come.
Theory kills originality and places constraints on you my a$$. I guess the world isnt ready for your new hipness, that is probably a cheap knock off of some other doosh's bad music. News flash, nothing you unlearned arse's are doing is completely original. In music, something is always borrowed. Now quit being lazy, learn some theory and write some decent music, because we need it!