Well, I'm sitting at work waiting on the final page from the execs so I can finish up this proposal package. Figured, I'd come sit by myself at my desk and surf TalkBass while waiting! Least I can do for working my 2nd Saturday in a row. ; )
Played my first gig with the Lull T4 last night. Smallish size bar and middle of 3 bands. There was no sharing of gear, so it was throw the stuff up there and go. Plus, it is an old building with high ceilings except a real low ceiling over the band which makes the sound onstage a mess compared to out in the room. I played my T4 into a Mesa Walkabout on top of a GK Neo 112 II. Kind of wish I'd have brought the Walkabout Scout 12 combo for a straight comparison to last month at the same bar (plus I prefer my Walkabout Scout cab to the GK). Oh well. We played a combo of originals and some covers (Son Volt - Tear Stained Eye, Fats Domino - Sick and Tired, Rolling Stones - Dead Flowers, Steve Earle - Hometown Blues and Graveyard Shift, Little Bob & the Lollipops - I Got Loaded which is better known by the later Los Lobos version perhaps). Anyway, that gives you an idea of the gig, bluesy, alt-country, rock, and New Orleans stuff. The other two bands were kind of old school countryish, so we leaned the set in that direction for sure with the cover choices. 5 piece band w/ 2 guitars, keys, bass and drums.
Shameless plug: Go to Link Removed and click on the music tab. Our first 4 song EP is a free download. No T-bird content though (this predates my T, so it is a Sadowsky jazz on 3 tracks and a Lakland Hollowbody w/ flats on one).
I usually use one of my Sadowsky's with this band, although I've also used a P-Bass w/ flats or a Lakland Hollowbody w/ flats. The T-Bird was a nice place in-between. It definitely doesn't cut through quite like the Sadowsky's do. However, I always feel a little limited by the P or Hollowbody with flats. For every song I like it on, I don't on another. The T really kind of occupied a nice place in the middle of that imo. In fact, our guitarist/singer commented on how good he thought it sounded in the mix of the band. I wish I'd have had a little more time to EQ the rig, but it was plug and go as I said.
When I play my other basses, I always play over the neck pickup. I've never cared for the tone when your right hand is over the bridge pickup. However, I have to say that I found myself moving my hand placement a lot more with the T. Certain songs I would be over the neck pickup, but for some of the funkier, moving lines I really liked it over the bridge pickup. I didn't mess with adjusting the tone knob or favoring a pickup all night. I just moved my hand to where it sounded right. That was cool to me.
We'll be going in the studio soon and I'm really excited to have this in the arsenal.
On a side note, my wife said it looked "too metal" and I should use it in my metal tribute band instead. I guess she thinks that the T-Bird started with Nikki Sixx! ; )