- Jun 30, 2010
- 49,589
- 221,974
- Disclosures
- musician/artist/owner - Gildaxe
My favorite part is how every setting sounds good- neck, bridge, fingers, pick, tone on or off- any combination is useful.
The only complaint I have so far, which is the same reason I no longer own a Squier 51 precision with the single coil PU, is that when the neck pickup is soloed you can't really get the natural 4th harmonic out of the bass. It's at that magical spot where the string isn't moving. So when I'm doing YYZ with just the neck PU, the one solo/fill that Geddy does that goes all the way up the neck and ends with those two harmonics and the slide down- I have to do the 5th->9th (I think) natural harmonics of the D/G strings instead of 5th->4th how I usually would.
Very minor complaint overall and is solved by turning on the other pickup, lol
There is a formula, but from my experience it is not a rule. Whether one or two pu's, where each pu is located, what type of pu, what electronic harness, what body type/wood - will all dictate how it turns out sonically.