• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Thunderbird Club

With the Gibson pickups, try putting both on max and then rolling off the bridge pickup a bit. It gets grittier. Popular setting around here.

That’s where I always wind up

Oh, the "You should get this bass and this amp because it's what I like" comments?

“My rig destroys that stuff.” Very helpful :)
The context can be pretty funny...
“Best amp I’ve ever tried”
*only ever played a couple practice amps
“My rig has been bombproof for 3 years”
*has played 4 gigs in 3 years


If you want black maybe you could get a set of Gibson TB+ pickups from someone that has chromed out their Bird with Thunderbuckers or Chinabuckers ???

I got a new bridge and tuners for one of my Gibson’s. As soon as I decide which pickups, I’ll probably post all my black Gibson parts for sale
 
1013? That Gibson 335 is a real vintage piece
I'm not a good candidate for vintage gear. Not only am I not able to afford it... I also love it too much. I'm always afraid I'm gonna hurt it. I always feel like I'm abusing it when all I'm doing is using it. It's just a huge psych-out for me. They just wind up sitting in their cases, not getting used... and that's the ultimate sin IMO. I'm far more at home on re-issues and new instruments built the old way. Plus... that 2013 335 has dual guitar size humbuckers instead of the mudbucker;)

<edit>

Never ask me about dates. My calendar only goes from 1970 to 1989. Not much better with names I'm afraid...
 
Last edited:
Regarding the pickups I have to respond carefully due to Talkbass' CUP and my being an endorsing artist for Mike Lull as well as being a moderator here.

When starting his Thunderbird project back in 2007 there were no readily available accurate Thunderbird pickups on the market, an original 1963 Gibson that had a great set of pickups was "loaned" to Mike. The pickups were carefully deconstructed and found to have a 8K neck and 9K bridge output, initially TV Jones made the pickups for Mike, covers are from the same manufacturer that Gibson used for the originals, so they're very accurate. Interestingly Mike approached Jason Lollar to do the work first but he declined, as at the time he did not think there would be enough of a market to support the effort. As time went on TV Jones was unable to keep up with demand so Mike subcontracted Seymour Duncan to augment production. Pretty early on, before I'd actually taken delivery of my T-4, I spoke with Mike about buying extra pickups for my '89 as I wanted it to have "that tone" that '60s Birds have in a bass I wouldn't hesitate to take out to shows. At the time I don't think Mike had even considered selling them as separate parts. Having used them in several of my basses over the past 10 years I can say that I really like them a lot, they're warm, and growly but clear and not distorted, my being an endorsing artist with Mike is a privilege, but at my request I don't receive any discount on purchases, it's an association that I'm quite proud of.
 
Regarding the pickups I have to respond carefully due to Talkbass' CUP and my being an endorsing artist for Mike Lull as well as being a moderator here.

When starting his Thunderbird project back in 2007 there were no readily available accurate Thunderbird pickups on the market, an original 1963 Gibson that had a great set of pickups was "loaned" to Mike. The pickups were carefully deconstructed and found to have a 8K neck and 9K bridge output, initially TV Jones made the pickups for Mike, covers are from the same manufacturer that Gibson used for the originals, so they're very accurate. Interestingly Mike approached Jason Lollar to do the work first but he declined, as at the time he did not think there would be enough of a market to support the effort. As time went on TV Jones was unable to keep up with demand so Mike subcontracted Seymour Duncan to augment production. Pretty early on, before I'd actually taken delivery of my T-4, I spoke with Mike about buying extra pickups for my '89 as I wanted it to have "that tone" that '60s Birds have in a bass I wouldn't hesitate to take out to shows. At the time I don't think Mike had even considered selling them as separate parts. Having used them in several of my basses over the past 10 years I can say that I really like them a lot, they're warm, and growly but clear and not distorted, my being an endorsing artist with Mike is a privilege, but at my request I don't receive any discount on purchases, it's an association that I'm quite proud of.

THAT was very helpful, thank you!
 
Regarding the pickups I have to respond carefully due to Talkbass' CUP and my being an endorsing artist for Mike Lull as well as being a moderator here.

When starting his Thunderbird project back in 2007 there were no readily available accurate Thunderbird pickups on the market, an original 1963 Gibson that had a great set of pickups was "loaned" to Mike. The pickups were carefully deconstructed and found to have a 8K neck and 9K bridge output, initially TV Jones made the pickups for Mike, covers are from the same manufacturer that Gibson used for the originals, so they're very accurate. Interestingly Mike approached Jason Lollar to do the work first but he declined, as at the time he did not think there would be enough of a market to support the effort. As time went on TV Jones was unable to keep up with demand so Mike subcontracted Seymour Duncan to augment production. Pretty early on, before I'd actually taken delivery of my T-4, I spoke with Mike about buying extra pickups for my '89 as I wanted it to have "that tone" that '60s Birds have in a bass I wouldn't hesitate to take out to shows. At the time I don't think Mike had even considered selling them as separate parts. Having used them in several of my basses over the past 10 years I can say that I really like them a lot, they're warm, and growly but clear and not distorted, my being an endorsing artist with Mike is a privilege, but at my request I don't receive any discount on purchases, it's an association that I'm quite proud of.
Lady... YOU are all class:cool:
 
I'm not a good candidate for vintage gear. Not only am I not able to afford it... I also love it too much. I'm always afraid I'm gonna hurt it. I always feel like I'm abusing it when all I'm doing is using it. It's just a huge psych-out for me. They just wind up sitting in their cases, not getting used... and that's the ultimate sin IMO. I'm far more at home on re-issues and new instruments built the old way. Plus... that 2013 335 has dual guitar size humbuckers instead of the mudbucker;)

<edit>

Never ask me about dates. My calendar only goes from 1970 to 1989. Not much better with names I'm afraid...

I’m with you Mike. I just couldn’t let 1013 pass. :D

I'm actually shattered as it happens. Managed about 3 hours sleep. Brain wouldn't switch off after Weller.

My cousin and her partner were there also. Enjoyed it.