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Thunderbird Club

Wow!

I really dig that PG! :)

It looks pretty thin, though - How thick is that, and did you make that yourself?

It's 1/8" thick, no thinner than most pg's and I made it myself. If you have a plastics supply store in your area they usually have a scrap bin with various sizes/shapes for cheap. I cut it out of one such scrap piece so it costed about $2.50 or so. You'll also need access to a band-saw and a drill to do the screw-holes.
 
In actuality there is almost no firm information regarding production numbers of Fender instruments, though a lot of detective work has been done to try and determine the number of early instruments made in a given year.

Yes, this, exactly. My point was far less work has gone into sleuthing Gibson basses for info. Les Pauls, different story altogether.
 
It's 1/8" thick, no thinner than most pg's and I made it myself. If you have a plastics supply store in your area they usually have a scrap bin with various sizes/shapes for cheap. I cut it out of one such scrap piece so it costed about $2.50 or so. You'll also need access to a band-saw and a drill to do the screw-holes.

Thanks for the tip...

Might try my hands on making a PG one day. Don't have access to a band-saw, though. I suppose a Dremel could be used as well?
 
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do you have any adice on how to fill my Bridge pickup route and the battery cavity on my pro?

Since you're going to re-fin I'd fill the rout with a mahogany block and use a thin (.010-015) veneer over the entire center block, most putty sinks over time and won't look good.
 
I'm inclined to agree with @Haji on this... the necks are thin, part of what makes this bass so attractive and easy to play. Combine that with a headstock that angles back and a cramped stage it can be, to the bass player caught up in the moment, a recipe for disaster. I've only ever seen a headstock break off as a result of human error. One dude jamming the guitar into a speaker for feedback (Les Paul) and one jumping to do a high kick, not sticking the landing, and slamming it headstock first into the stage (Jackson).
 
OK, thanks to everyone who's replied and made a contribution. EMGs did look like the way to go to this 'ere rank amateur, but I just knew that someone, quite rightly would point out that they're very different beasts due to the totally different p/u construction and different wood: although that's what I'm trying to achieve.
Anyone ACTUALLY done this and been happy??



 
Thanks for the tip...

Might try my hands on making a PG one day. Don't have access to a band-saw, though. I suppose a Dremel could be used as well?

That's tough w/o a band saw - sometimes you can find a woodworker/cabinet shop that will cut something like that out for you. The plastic comes w/stick-on brown paper to protect it and you can trace the exact shape you want on it. I've had planing of body slabs done for pretty cheap. A good shop will have high-end equipment and it takes a matter of minutes even though they will charge an hourly rate. I bring a few things to fill in the hour and it works out to be a good deal atc.
 
So I have a question about for all the Gibson Thunderbird owners. I was wondering if the neck/headstocks breaking off and being fragile than most exaggerated or pretty accurate? Does this apply to a lot to the one made post 88 or more the 60s and 70s models?

'70s headstock are much bigger and they have very big clover tuners too - So I can say that it's easier to bump into things on a crowded stage, and if you were have one fall off of a stand you could have a problem. If the headstock gets broken they can usually be repaired and there is no ill effect to the bass' tone - I know, two of my '76s are repaired broken headstocks. Worst case scenario, you're making a Fenderbird, which, we all know is a pretty cool bass. Post '88 headstocks are smaller and have smaller tuners, plus the neck is a slightly different shape, thicker at the nut where it pitches back, overall much less prone to an accident.
 
OK, thanks to everyone who's replied and made a contribution. EMGs did look like the way to go to this 'ere rank amateur, but I just knew that someone, quite rightly would point out that they're very different beasts due to the totally different p/u construction and different wood: although that's what I'm trying to achieve.
Anyone ACTUALLY done this and been happy??




Reading your first post I meant to mention that I have used Seymour Duncan '51 P bass pickups potted into Gibson covers on my Epiphone Fenderbird. The end result is that 7ender tone that it sounds like you're after.......
 
So I have a question about for all the Gibson Thunderbird owners. I was wondering if the neck/headstocks breaking off and being fragile than most exaggerated or pretty accurate? Does this apply to a lot to the one made post 88 or more the 60s and 70s models?

As noted - 60's-70's necks are commonly found broken and repaired, not so much later. A side-by-aside comparison of both helps make it clear why.

IMG_4970_zpsrkhmpehn.jpg


IMG_6759_zpsefy8ivq0.jpg
 
I've yet to break my bird's headstock (im still careful with it after it broke it's wing). TBH, a i've never seen a post 88 headstock break, but i still think they are prone to it due to the thickness at the nut. In my hands it feels like it's about to shatter. Plus i like the look of Epiphone Bird headstocks better than the gibson ones, more definition instead of being a block with a slight bevel. Attractiveness all round, but my money will always be on an epiphone.
 
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My 2001 ebony Tbird has a headstock repair from the previous owner. I have no clue how it was damaged but the bass was clearly played hard. I have owned it for 8 years and the repair has remained solid so I never worry about it. I have seen other post-88 Birds with repairs, but it seems to be less frequent than on the 60's and 70's Birds.
 

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