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Thunderbirds by Mike Lull

Not much different than a Gibson.

The one I built using Warmoth parts had better access to the higher frets but it looked weird (to me) because of that.

gibson-thunderbird.jpg


the other issue with the Warmoth is moving the neck out further increases neck dive and you need gorilla arms to play it .

Alfa drivers will feel at home here
 
I know mine's at the painter's at this point.... :)
And it will have Scott Dasson's bridge on it.
I don't mind saying it'll be a once in a lifetime deal for me to own a new bass from so gifted a builder as Mike, the day I get to pick that instrument up will be a very special one!
 
Thanks for the plug Mark. I could not be more pleased that you are using one of my bridges. I can imagine how excited you must be to get your hands on your new bass. Sorry if I hijacked this thread.
 
If you look at the price difference between a single vs a two pick up model you'd figure them at $200.00 ea. Sounds like a lot but I know they are an extremely accurate reproduction of a '64 'Bird pick up, they're also handmade, but I'm not supposed to say who makes them. From what I understand there will at some point be a fiver too.
 
I saw these same bodies in the Lull shop last weekend and they are gorgeous, as seems to be everything that Mr. Lull puts his name on!
I am very curious to see how they play, and even more curious to hear how they sound!
I wonder if Mike Lull would consider a "Lullesque" version of the original Gibson bass, the EB-1. I would really seriously have terminal gas if that were to happen!

:cool:
Big Plus One for a Lull EB-1. ( Like the 1953-1958, EB-1's)
 
When I was at the Lull booth during NAMM, I overheard someone ask Mike, "Why a T-bird?" and Mike responded, "I love them, I had 12 of them." (not word for word but something to that effect, but I definitely heard 12). I just got a kick out of the fact that he would have 12 of the same model bass.

I didn't get to play them cause I was too caught up with his Fender-style basses but they sounded really good when other guys played them.
 
He's really had 12! All from the 60's - including a factory painted black ( it was a custom color at the time) one, a small benifit of living close by is that I get a couple of stories from him every time I take one of my 'Birds in for some work. He and Roger are always great and you really get the rockstar treatment. I can't wait to get my Lull Thunderbird!
 
Ya, that was my first time meeting Mike and Roger though I've had a ton of email exchanges with Roger and talked to both of them on the phone... Super class guys, I did feel like a VIP when I was at the booth.

And being able to get my new PJ5 direct from them is special... I know that's common for pros and a lot of guys here but that is my first time and I loved it! That is probably my #1 reason to want to be an endorser is to be able to call over there and place a bass order, anything else is really secondary.

I can't wait to take a trip up to see the shop and get my older M5V plek'd.
 
He's really had 12! All from the 60's - including a factory painted black ( it was a custom color at the time) one, a small benifit of living close by is that I get a couple of stories from him every time I take one of my 'Birds in for some work. He and Roger are always great and you really get the rockstar treatment. I can't wait to get my Lull Thunderbird!

When you get your Llulbird, PLEASE post a review here.

How many T-birds do you have and what models?

I have the recent IV and Studio. Can't afford a '63-'64 T-bird. I love my 'birds, but would like a detailed comparison of the Llul T-bird PUs compared to the modern Gibson T-bird PUs.:bassist: