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Haha....so true.Get lines, like most of the top fretless players. A lot of people think that the ability to play Mustang Sally within the first 5 frets is mastering the fretless...
You should probably just go with a neck for the one you play the least. That way, if you dont bond with fretless, you're not out a whole bass. You could always just throw the fretted neck back on, and sell the fretless neck on ebay...or here.I am in a project band that has a couple of songs that the bassline was definitely recorded on a fretless bass. I don't have one in my collection of 3 electric basses. Is there a decent, under $500.00 fretless bass out there? Or should I take one of my current basses and buy a fretless neck for a conversion?
What I have right now are: Fender American Vintage reissue "75 Jazz Bass: New(ish) MIJ Fender Aerodyne Jazz Bass; and a New Fender Vintera Precision Bass.
Personally, I don't want to change any of them, each has it's own feel, and sound. The only neck I am not in love with is the Vintera, it's finish on the edges is a little rough? I'd like to round the fret edges and even possibly the fingerboard top a little. Both my Jazz Basses have beautiful slim necks that play like butter. The Aerodyne with the P-J pups is killer punchy and rings with pure intonation and clarity in the higher registers. The Vintage reissue is just amazingly Jazz Bass perfect in every way. I guess I am convincing myself to not change any but to find a fretless to add to the collection.
Any suggestions around the size of the stimulus check?
Thanks,
John
I've said it lots of times, Yamaha doesn't make lemons
Yamaha RBX 250F 4 String Fretless Electric Bass 2005 Black | Marx Music Supply | Reverb
EDIT - nevermind looks like the headstock is cracked on this one
I've said it lots of times, Yamaha doesn't make lemons
Yamaha RBX 250F 4 String Fretless Electric Bass 2005 Black | Marx Music Supply | Reverb
EDIT - nevermind looks like the headstock is cracked on this one
Haha this is perfect. I'd love to hear recordings of line deniers playing something other than whole notes. Few are chosen...Get lines, like most of the top fretless players. A lot of people think that the ability to play Mustang Sally within the first 5 frets is mastering the fretless...
I bought a fretless SX P bass for about the same price for about the same reason. Everything about it sucked, including the neck. The neck and/or fingerboard was warped enough that there was no way to get the entire thing both playable and buzzless.I bought a $109 SX P bass and put a fretless neck from TB on it and some flats....use it for tunes that benefit from that sound....
No; the side markers are where the halfway point between frets would be, just like on a fretted bass. If you intonate by using your octave harmonic vs. stopped note, your correct pitches will not be on the side dots.
I'm always torn by this. I understand getting a cheap a$$ instrument until you know if you'll like it. But a cheap a$$ bass may give you the wrong impression as well - especially fretless. Why not spend a little more for something decent that will give you a good playing experience. If you do indeed decide it isn't for you, you can sell it with maybe more success than a really cheap bass? Maybe not. But if you like it you will already have a decent bass to continue with.
Warwick Corvette fretless. I just checked on a strobe tuner. My Octave harmonic is dead on E and the 2nd fretmarker is dead on G.
My bad, I misunderstood. My comment was not Glarrycentric.I'm happy to hear it. But what you and several other posters seem to have missed is that my remarks about mispositioned dots referred to Glarry fretlesses and only Glarry fretlesses. Besides, I would expect a bass of the caliber of a Warwick to have everything "just right."
My bad, I misunderstood. My comment was not Glarrycentric.
When I was in the Marines, one of my sergeants said, "Don't give orders than can be understood. Give orders that cannot be misunderstood." The reason everyone missed that your remarks dealt only with Glarry is that you failed to point out that your remarks only dealt with Glarry.I'm happy to hear it. But what you and several other posters seem to have missed is that my remarks about mispositioned dots referred to Glarry fretlesses and only Glarry fretlesses. Besides, I would expect a bass of the caliber of a Warwick to have everything "just right."