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To Restore or not to restore....

I've got an 1960's Framus Star-Bass and I was wondering if I should restoring it to it's former glory? The pickup and wiring isn't original and tuners weren't as well (they didn't fit either) Only parts that are original are the neck, body, bridge, and fret guard. At one point the body was sanded to the bare wood and lacquered. I could also just replace all of it with new modern parts. Any opinion are welcome!
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I'm in the same boat of "restore it visually" but don't get lost in the rabbit hole of trying to find original parts. I would look for the original bridge pretty fiercely, but I wouldn't sweat the electronics, you'll probably never find the stock pickup and if you do you probably won't like it. But try to find the bridge and make it "look" like it should have, then enjoy the heck out of it!
 
I've done a few restorations - I only get involved when most all parts are intact and what's missing can be found or fabricated, the neck is straight with good life in the frets, it's a price I can justify and if the bass speaks to me. If not, it ain't worth all the time and effort. When I do take on a 'project bass' - I enjoy the challenge (research/discovery/recovery) and I've been happy with the results. Just depends on how far you want to take it.
 
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Mery Christmas, thanks to a quick Google. The only parts you are missing are the tuners and bridge.

...and the secondary clear pg (easily made) and white pointer & rotory knobs. Pu looks original. Tuners should be able to be found that will be 'close enough'. If he gets a closeup of the bridge - those types can be fabricated using available parts.
 
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I've got an 1960's Framus Star-Bass and I was wondering if I should restoring it to it's former glory? The pickup and wiring isn't original and tuners weren't as well (they didn't fit either) Only parts that are original are the neck, body, bridge, and fret guard. At one point the body was sanded to the bare wood and lacquered. I could also just replace all of it with new modern parts. Any opinion are welcome! View attachment 3728969 View attachment 3728971
I believe a full "restoration" would be expensive, due to the difficulty of finding NOS Framus parts.

A "rebuild", where one would hand manufacture new components to old spec, might be doable. Again, it could be costly.

I would go the "tribute" route, with modern (overwound?) pup, wiring (preamp?), and tuners, and re-finish with a butterscotch cream color. Possibly an intonatable bridge w/similar visual style. Then I would string it with Pyramind tapes, and play the §°)# out of it.

That's what I'd do. Your sensibilities may tell you to do something different. You do you.
 
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As someone who buys old instruments for restoration I had to say: Restore it.

Sometimes it's possible to revive the original characteristics of the instrument. Sometimes this is not possible and one has to improvise with any available parts. That said, the most important thing in this process , IMHO, is to bring the instrument back to life.
 
I'd restore it visually. Not so much using correct dated parts but rather useable parts.
"restore it visually" but don't get lost in the rabbit hole of trying to find original parts.
I would go the "tribute" route
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i'm with these fine folks: but i play my axes and don't care about collector's pieces. YMMV.

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Are you going to play it or put it in a climate controlled glass case and stare at it?