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Too Easy Banging On The "One"....

Anybody got any clips or song titles that DON"T use the root note but still get a rhythmic bass line?

Not sure what you consider "rhythmic" but jazz bass lines are full of starting on non-root tones. In general, starting out on non-root tones make the line more melodic.

If you mean ostinatos (one or two bar repeating patterns), yes, straying from the root is not very common. Check out riff based blues/rock like Albert King's Born Under A Bad Sign and Oh Pretty Woman, Cream's Spoonful and early Howling Wolf tunes. What's common in those lines (like the reggae line mentioned above) is they land on the one at the end of the riff rather than at the beginning.

Working out your owen arpeggio exercises like angryclown5 wrote out will also open your ears to what's possible.
 
Here's an example of "not banging on the one" in a real world environment. Or surreal world, since it's NAMM.

Anyway, the chords are Gmaj - D7 - Emin - Cmaj

You'll notice about halfway I start landing on the third (F#) of the D chord on the one, mainly because it adds a more lyrical context. I think once or twice I also land on the fifth (B) of the Emin chord, using the fifth from the D7 chord to move up. Either way, here you go.

 
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A very nice video clip to watch your technique. (The sound could be better.)

It's NAMM. That was actually kind of quiet for a Thursday.


Do you really like the metal cover/bell cover?

I do. I normally play either right over the bridge pickup or just past the neck on 4 string basses, so it doesn't get in the way. Plus, I like the aesthetics of it.
 
At least now you did not assume that I was promoting either Power Tab or Guitar Pro, and that's good.

Oh, I did (and think still do, as I don't think you ever answered my question). In a public forum like this when you have representatives from music companies as well as endorsing artists - all of whom have to publicly declare their affiliations - it's a natural assumption.
 

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