- Oct 12, 2004
- 1,327
- 587
- 72
- Disclosures
- Retailer: Shen, Sun, older European
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With that in mind it is difficult to picture J.B. Vuillaume doing more than waving his brush over a double-bass and affixing his label to shop-craft.
This is yearrrssssss late, but I've been working on finding out the same thing.Does anyone have a reasonable guesstimate of the total number Vuillaume doublebasses made?
Have any more info on the one Martin found? Might be one from my neck of the woods from a while back.This is yearrrssssss late, but I've been working on finding out the same thing.
There are, as far as I know, 2 basses directly attributed to J.B Vuillaume that can be proven to be at least out of his workshop.
The first is the "Haden" Vuillaume of 1845. Its for sale at Robertsons and Sons. (I got to play it; most terrifying 5 minutes of my life) This bass is based off of Stradivari's mature cello models, and rumor has it that Vuillaume himself created the patterns for the instrument.
The second is the "Quarrington" Vuillaume of 1835-1840. Joel Quarrington had this instrument for some time, before getting his Maggini. This bass is based off of patterns by the luthier JF Schmitt. This bass is privately owned and played in France.
*There is a third Vuillaume, that Thomas Martin found, but the general consensus is that it's an English made/patterned instrument and not a true Vuillaume.*
There's also an untouched Vuillaume bass scroll (1840) for sale at The Contrabasse Shop that matches the scrolls on the two confirmed.
None, according to several top luthiers I met in Paris. He subbed them out, presumably to his assistants, but were sold with his label.
We've got one in now we are researching...label is interesting but we're taught to believe labels last. The bass itself is not even remotely French.View attachment 4552125