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Transitions between songs

My band is growing quite well. We've taken lots of time to refine a play good, tight music. Now we're wanting to step up our showmanship.
We've cut down rambling and down time but we want to take it to the next level.

I've always loved when bands seamlessly flow between songs. Do any of you have tips on writing arranging these transitions?

Here's one of my favorite examples

Starting around the 2:30 mark

I'm thinking we should try to do some small snips of classic jazz tunes until we're ready to compose ourselves
 
What genre is your band playing where a few seconds of classic jazz tunes would fit in?

Are you just funnin' us?
We mostly play country and bluegrass (hence the Balsam Range) but it's not hard to genre mix songs. I just thought it'd be easy to pull some ideas from jazz classics to try transitions out until we can spend more time on it ourselves.
 
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We mostly play country and bluegrass (hence the Balsam Range) but it's not hard to genre mix songs. I just thought it'd be easy to pull some ideas from jazz classics to try transitions out until we can spend more time on it ourselves.
Checked out your video. Man, you guys can cook! Loved it.

You can always announce you're going to play 5 in a row and just have the drummer count off the next song, or play drum break and lead into the song w/o counting it off.
 
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We do three in a row, then insert talking. Not talking medflies—we finish song #1...applause, applause...we start song #2. The goal isn’t to seemlessly transition; it’s too eliminate dead air. Members should be pro enough that if the guitarist breaks a string, someone jumps on the mic and vamps till they’re ready to go.

Another good idea is to have a seamless dance mashup ready to go on demand, so if the dance floor suddenly blows up, you have a nonstop 10 or so minutes ready to go when needed.
 
Checked out your video. Man, you guys can cook! Loved it.

You can always announce you're going to play 5 in a row and just have the drummer count off the next song, or play drum break and lead into the song w/o counting it off.
We do a lot of that now but I can get pretty repetitive ending songs with a hard stop and then going into an intro again.
 
This is really common in church worship sets where you don't want to jar people between switching songs. The 2 tips i picked up in this process is to think carefully about which songs you are transistioning between key wise. Some keys are easier to transition between then others. The second tip is to let one instrument mainly carry the transition and the other instruments play around that or not at all. The video you shared does this with the guitar driving the change.
 
I don't know to what extent you concentrate on getting people dancing, but at a recent gig I actually started tracking this number:

Four seconds.

That's how long it takes for a dance floor to clear when a song stops. If you want to keep people dancing, then after four seconds you need to pull them back out, or else keep them going within that time frame.

All of which is to say, I think you're absolutely thinking in the right direction. Quick and smooth transitions can make or break a gig.

The main suggestions I would have are - first, if you're able to, put songs on the list that can easily segue into each other. It's a pretty easy skip from Play that Funky Music to Superstition, for instance, or from Sweet Home Chicago to Almost.

Second, look for songs where there's an intro riff or beat that you can start right away when the prior song ends and loop as needed until the whole band is ready to jump in. For instance, when Six Cowards did Take Me Out, I would just hit those high pumping eighth notes on E and the drummer would start ticking his high hat to it. The guitarist, who also sang lead on that song, often needed a moment to adjust of whatever the previous song was, but we could just keep pumping those eighths till he came in.

Third, kinda related to that, any given member of the band ought to be ready to vamp or jam a bit, with a groove, whenever needed, and the BL should be alert to signal for them to do it. As I said, you have four seconds. A song ends, and if the BL sees that the band isn't ready to start the next one within a second, then they should wave in one of you to start SOME kind of groove.

Fourth, a personal opinion - don't overuse big long rolling out ending notes. They can signal applause and be very gratifying. But they also signal to the crowd that the song is over, time to go back to your seats or get another drink at the bar. Your four seconds begin already DURING that ending. I've seen times we've hit the ending like that, there are cheers and claps, and yet by the time we stop playing the floor is ALREADY empty. Often, especially if you've been playing a great dance song and filling the floor, if the song ends on a sudden tight hit, people are cheering and applauding during the space and MORE likely to stay, because they're thinking "what's next?"
 
I should add, by the way, that the #1 issue creating dead air is usually going to be a guitarist. Often we're all ready to go but he's switching guitars or needs to tune. That is often perfectly legit - you don't want him playing out of tune. So plan around the assumption that he's going to need frequent tuning times.
 
Mix it up, dont feel like you must always have a transition. Use 3, 4 song mini sets. Your count off person just quietly does it and you have only 2 or 3 seconds downtime, maybe even less. Then DO talk. Audiences need a "break," you must engage them, pull them into your songs and your humanity. Connect.

The idea of using little jazz snippets IMO is...."cute" but if you do it a lot it'll become a worn out cliche. Plus, you'll now need a transition to get in and out of the transition!

My opinion only.
 
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I wouldn't plan it for every song. ... Think about music as a conversation and not a lecture. ... That said, take a song you think work great together. Maybe one is in the key of C then the other in G. ... While you're ending the song in G use a transition to get to G. ... Something like B-7, E7, A-7, D7 and now you're in G. ... But, do it slowly maybe not over a set number of bars and think of a melody tieing in the first tune to the second. ...
 
Over the last 25 years, I've seen a lot of poopie bands and had the privilege to see a few amazing bands - and here I'm just talking about their live set and not their musicianship or the music itself. Obviously this is just my experience, but I've always found the best bands keep to the following rules of thumb:
  • The less known you are, and especially if you're an opening act, shut the heck up. Nobody cares until the vast majority of the people in the room are there to see you specifically. As a rule of thumb, assuming a 10ish song set: you should introduce the band name after the first song, banter a bit after the fifth song, reintroduce the band and its members after the ninth song, and make sure you bring the house down with the tenth song. Say goodnight and if you did your job well, you should have some new fans!
  • The more well know and renowned the band, the more the frontperson can spend time between songs interacting with the audience... only when called for. There are different types of shows: Sting likes to introduce everything he does, for example, or give a little story. That really works for him. You are not Sting; find what really works for you. Best way to do this is to experiment and then ask different people what they thought of it: band members opinions count for very little here. Have someone in the audience going around and schmoozing people and getting audience members opinion.
  • Even so, I'm here to hear music, not chatter - lots of amateur bands ramble on between each song. Prince, AC/DC, Clapton, Springsteen, etc, etc., they never ramble - every time they speak, they're making a specific point, they have a specific thing to say, but then they dive into a 3-5 song set.
  • Ultimately, it's a show. The best shows are those that manage their highs, their lows... their pacing. Pacing is the most important thing in a show for keeping an audience interested - too much slow stuff, and it's boring. Too much high energy stuff and it's tiring.