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Trouble deciding a bass overdrive

Darkglass Microtubes B3K V2

I paid 150 for one used, they sell for 260 new.

It's fairly straightforward and easy to use. It has knobs for Level, Blend, Tone & Drive plus two on/off push button switches for Grunt and Mid Boost. It will go as mild or wild as you want it.

I was leery of it at first cause Darkglass is associated with a lot with metal music. And about as close to metal as I'm going to get would be Alice In Chains. I play a lot of 70s, 80s, and 90s rock, blues, grunge, and occasionally a country tune or two. But I got it at a local shop and they said if I didn't like it to bring it back and I could try something else. That was 6 months ago and the thought of taking it back never crossed my mind after turning it on the first time.


I wonder how that compares to the Vintage Microtubes? It's so hard to tell from videos. I can still hear solid-state clipping going on in my Vintage. It's the least-bad pedal I've found so far but I'm looking for saturation without any sizzle.
 
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Rat. Filter dark, gain up for pseudo-fuzz tones. Turn down the gain and you’ll find it can be fairly versatile. For aggressive music, you can do much worse. Of course the older Rats have some magic, but for the price the current off the shelf Rats are fantastic. It’s all over countless heavy albums throughout history.
 
My absolute favorite tone for a stoner tone that has grit is basically achieved by running two low gain drives into each other.
The texture you're getting from that is a lot coarser than using a single gain stage.
In terms of cheap pedals, I'd look at the Nobels ODR (any model, the guitar ones work for bass), the Wampler Belle,
the Ground FX Burning Sunn, the Xotic BB Bass Preamp, the Catalinbread SFT and Dirty Little Secret, the Beetronics Fatbee, the Aguilar Storm King.

All of these should be around or below $100 on the second hand market. The combination that works best for you? That's down to some experimentation.
 
Scott Reeder's Kyuss tone was a cranked SVT. The following is from an old interview:

On that old Sky Valley SVT, my tone came from turning all the tone knobs all the way up. That was my overdrive. It was easy to remember on stage I couldn’t see very well and I could just feel it. I’d just crank it with the bass, the mid, and the treble all the way up. And the volume was probably only turned up to three. You get past that and it completely craps out. But that just gets that creamy overdrive. Everybody always asked me what with pedal do you use for that sound, but it’s just straight into a tube amp.
That is pretty cool, never heard that- and his tone was definitely unique at the time when I first heard them. The old SVTs didn't have a Master Volume control, so boosting all of the EQ controls would have driven the tubes in interesting ways (hence the very low "volume' setting). I have to try this with the Origin Super Vintage!
 
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my budget is $100 (used ofc), and i use a fender p-bass 99% of the time
my main inspirations are kyuss, sleep, elder, and bongzilla (generally a lot of stoner metal, i already have a good fuzz setup)

some main contenders are:
TC mojomojo
Catalinbread SFT
Boss ODB3
but i’m open to new suggestions
i really want to be able to achieve tones like welcome to sky valley but also be able to get stuff like holy mountain as well

my amp is a hartke 3500 into a peavey 4x10 if you were wondering
No one is probably going to defend a Boss ODB3 here. But some of the best raw, bass tones I’ve heard live have been with that little yellow tank. I’ve never used one but from people who have, apparently the first quarter is where the magic is before it gets overblown.
Also, if you’ve seen any videos of Reeder, a lot of his sound is from playing so far forward that he’s hammering the strings over the fretboard.
 
Note that MojoMojo is darker-sounding than Spark. There are frequency charts for each showing that somewhere here on TB...I can't find them at the moment...
That’s what I recall too, I remember the MojoMojo being decent but a little dark and honky with bass while the Spark was more clear and “sparkly”
 
That’s what I recall too, I remember the MojoMojo being decent but a little dark and honky with bass while the Spark was more clear and “sparkly”
Since I have both Spark and Mojo, I took a minute to A/B them as I’d never noticed any “darkness”. I think I agree that the Mojo boosts bass a bit more, but working the bass and treble controls it was easy to make them sound identical at low drive levels. As I’m currently looking for lower levels of overdrive, the Spark is more suitable and it fine-tunes the low-level drive much more easily. The MoJo though will go all the way to fuzz for those in the mood.
 
Since I have both Spark and Mojo, I took a minute to A/B them as I’d never noticed any “darkness”. I think I agree that the Mojo boosts bass a bit more, but working the bass and treble controls it was easy to make them sound identical at low drive levels. As I’m currently looking for lower levels of overdrive, the Spark is more suitable and it fine-tunes the low-level drive much more easily. The MoJo though will go all the way to fuzz for those in the mood.
Yeah I found the Spark a lot more suitable for what I was doing when I compared them (pushing a tube amp, so the bass version of a “treble booster”). I personally didn’t like the Mojo Mojo for that role as it wasn’t as open up top for me regardless of EQ. Of course pushing a tube amp isn’t exactly a linear affair, so it may well be a different story when you are using them into a clean amp to begin with (which I don’t think I ever tried with either)
 
Early stages (ha) playing around with this, but its certainly ear-opening!
 

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