Me too…Electricians do it too. All the switch and receptacle cover plate screws get lined up vertically in a new house.

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Me too…Electricians do it too. All the switch and receptacle cover plate screws get lined up vertically in a new house.

I'm glad I'm not the only anal retentive.I like that the pole screws are lined up…I’m the same way…
The bottom left screw is off a bit…![]()
The pressure is on. Kathy just complimented me on being a completest and I have reached a crossroads point in this project where I have to decide between being a perfectionist and acknowledging the point of diminishing returns.I guess I shud'a known; you don't seem to be doin' anything in half measures.
I’ve never re-fretted an instrument. I just dress them, re-seat them and polish them. I usually get the results that I want.The pressure is on. Kathy just complimented me on being a completest and I have reached a crossroads point in this project where I have to decide between being a perfectionist and acknowledging the point of diminishing returns.
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My question is how do you know how much fret is enough fret? How do you know when it's time for new frets as opposed to dressing the existing ones?
You may recall this project started with a major bow and a troublesome twist in the neck. I did several heat treatments to correct this and have it 96% corrected. However, there is still about a thirty second of an inch dip on the bass side of the neck. It's close enough to correct that if I were to pull all the frets I could get it just about perfect with a radius block. Initially I decided that though that would be good it probably was not actually worth the effort. However, I have since noticed that in a past life somebody tried to correct the bowing neck by filing down the last three frets. I'm not sure if it comes over in the photo but I'm also not sure if they left enough material for me to bring those frets back to a crown. On the one hand it's largely a cosmetic issue cuz I never play up that high. I could rip them right out and never miss them. On the other hand is that the straw that broke the camel's back and makes a refret the most practical way to proceed? I'm leaning toward not bothering with a refret, but as Kathy points out I kind of always want to do the best job I can. But this one seems to me like it would be more time and effort than it's actually worth.
What say you?
As an aside, I wish I had the ear to play fretless. To the main point, do you think there is enough thickness left on the last fret to bring it back to a decent crown?I’ve never re-fretted an instrument. I just dress them, re-seat them and polish them. I usually get the results that I want.
That said…I mostly play fretless basses…
Looks like it. But, it won’t get much use anyways. But I’ll let others chime in.As an aside, I wish I had the ear to play fretless. To the main point, do you think there is enough thickness left on the last fret to bring it back to a decent crown?
Very true. A professional aesthetic.Electricians do it too. All the switch and receptacle cover plate screws get lined up vertically in a new house; or new work in an old house.
Yeah I can see that but honestly I thought about it and I've seen those malmsteen guitars where between every fret is scooped out. So I figure as long as I can get the frets all the way straight does a 32nd of rosewood between two frets down near the bottom really matter?You won’t be satisfied if the neck is only 96% straight.
the look of the frets and the playability is moot if you still know the neck is warped. Probably diminishing returns for everything except your mental health.
Ha! You're right, lol. I guess I did do it different from the conventional approach. However, after I read your post I did a quick Google search and it seems my approach isn't completely unprecedented although this maker did not take the burst up into the headstock.That's alright I guess. I think this is what your really want, with a better blend between the two colors.
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