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TubeWorks 115 combo info please!

I bought this thing new back in '96 or '97 & just recently dug it out to play with.

Evidently, this is the only one they made because I cant find any info on the web for it.

Was tube works bought out by genz-benz or was that the original name of the company?

What was the model number of this particular combo? The amp is a rt-3100 & its a 115 cab.

I read that the eq on the amp is "cut only" & is actually flat in the full clockwise position. I did not know that!

Any info concerning this combo would be greatly appreciated. :bassist:
 
I've got one of their heads, the good ones are the 'bk butler' designed ones. Yes, Genz Benz bought them out (my friend used to work for Tube Works). I didn't know that about the eq, I'll have to ask my buddy. I've AB'd mine with some pretty good amps, and the Tube Works is a great amp if you like natural mids, and don't like scooped amps with all the mids gone.
 
You might find some info on the amp at Genzbenz.com

Look under support/owner's manuals. They have a number of Tube Works products listed. I briefly had a Tube Works combo with a 15 in it. I bought it used, on a lark, and I found it had some shorting problems in the circuit board. I had a friend clean all that up, and it sounded pretty good (and pretty loud), but it was such a monster to carry that I sold it to a friend for his studio. Good luck!
 
You might find some info on the amp at Genzbenz.com

Look under support/owner's manuals. They have a number of Tube Works products listed. I briefly had a Tube Works combo with a 15 in it. I bought it used, on a lark, and I found it had some shorting problems in the circuit board. I had a friend clean all that up, and it sounded pretty good (and pretty loud), but it was such a monster to carry that I sold it to a friend for his studio. Good luck!

Yeah I looked on the site, but the combo I have wasn't shown in the manuals list. Maybe it's too old or something.

I've got one of their heads, the good ones are the 'bk butler' designed ones. Yes, Genz Benz bought them out (my friend used to work for Tube Works). I didn't know that about the eq, I'll have to ask my buddy. I've AB'd mine with some pretty good amps, and the Tube Works is a great amp if you like natural mids, and don't like scooped amps with all the mids gone.

Mine is a B.K. Butler designed amp so that's good to know. I'm really curious about the eq deal too. I've play with the amp some with all the eq controls in the middle & it sounds pretty good like that. If far right is flat, then it should sound REALLY good.
 
Pics.

I modified the cab to make it a kickback which is pretty cool which made it necessary to recover it.
 

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Hey, I've got the RT-3100 head in the Tube Works 1x10 combo. I LOVE this little amp. I've had it a few years now, got it at the local Guitar Center. It sat there a long time and my guess is because people didn't know that the eq was interactive passive cut and didn't like the sound (I didn't much either, until I figured it out). So I ended up getting it for a price I still can't believe to this day. Stone simple but the sound is warm and rich, surprisingly loud and punchy. Components and construction are top notch as well. I've never seen another, though I do keep my eyes open for a spare. Mine has a build date of 6/28/1996.
 
I also currently own a RT-3100 combo with the single 10 inch speaker, and I've not found a comparably spec'ed combo that sounds as good. Try it with an extension cabinet, and be prepared to be amazed at how loud and transparent this bugger is! It's built like a tank, and is a bit on the heavy side for a single 10.

One more thing to note: The DI out is pre EQ and also pre effects loop. In other words, it's completely "dry", but oh so nice for recording or to send to the main PA!

I've also not come across many of these, and this is the first with a 15 inch speaker I've heard of. I'd say keep the original cabinet for when it becomes a collectors item.

Genz-Benz customer support will send you a copy of the owners manual if you email them. It may answer your query about the "cut-only" EQ. G-B has always been very responsive to all my TubeWorks queries, including providing me with the schematics for my RT-3300 head.
 
I'm sorry but we do not have an owner's manual for the RT-3100. We purchased Tube Works about 10 years ago and received very little documentation on their previous products. That product is one that had already been discontinued and we did not get an owner's manual for it. I also can't tell you how many were made but I do know it wasn't very many. To our knowledge they were only made in a one 10" version. There may be some confusion with the RT-3175 which was a completely different amp and was made with a 15". I hope this helps and thank you for choosing Tube Works and Genz Benz.

Regards,
Scott Andres
Genz Benz / Tube Works


So, if yours is truely a RT-3100 with a 15", it may be a prototype that never went into production!
 
Actually, the RT-3315 is a 300-watt RT-3300 head (which I also own and love) stuffed into a 15" loaded combo, while the RT-3100 is only 100 watts.
There was also the RT-3175 in the same configurations (head or 15" combo) with the same features and layout as the RT-3300, but rated at half the output.

I saw a RT-3315 once and kick myself for not buying it, even though it was one of the heavier combos you could imagine.
 
The 3315 did weigh a ton but for a tube/hybrid it was a pretty loud amp. I had no problem being heard playing between a heavy handed drummer and 2 guitar players with 100 watt all tube half stacks. Like I said before I kinda wish I would have kept it.
 
Never cared for their heads but I have this totally badass TubeWorks 410 that used to belong to Dave LaRue. Even though it's made "wrong" (ports directly behind the drivers), it is the biggest and fattest sounding 410 I've used to this day. And, of course, it's really big and fat ;) It's heavy but not prohibitively.
 
...TubeWorks 410..... Even though it's made "wrong" (ports directly behind the drivers),

From: http://www.acmebass.com/

Port Placement: Front, Rear, or Side?

An Oversimplification

(Terry Buddingh mentioned in his generally careful review on the Low B-1 in "Bass Player" magazine, that I had said that "Port placement is irrelevant, because port output is omnidirectional. That is an oversimplification of what I said. For those of your to whom this is a matter of great concern, I have posted here a short discussion of the matter, which is in the owner's manual, and is updated whenever I can think of better words to explain it.)

The Merits of Front or Rear Port Placement

Bass players seem to enjoy discussing the merits of front or rear placement of ports. Based on their experiences, many players and manufacturers alike are convinced that front placement has distinct advantages over rear placement, or vice-versa. When asked to justify their opinions, these partisans will invariably refer to vague impressions and gut feelings. They will never talk about wave propagation or Helmholtz resonation.

Pressure Devices and Their Behaviour

In fact, a bass-reflex enclosure, at the frequencies where the port contributes to the system’s output, is a pressure device, as opposed to a wave device. So the interaction of the enclosure and the port, and the port's position with respect to the woofer, itself, are unaffected by any directional activity. Direction is utterly unimportant. By way of illustration, examine another pressure-related model, a balloon. As you inflate a balloon, does it expand on one direction only, or in all directions at once?

The Omnidirectionality of Low Frequencies

Only after a port’s output leaves the cabinet, and enters the environment, does it assume the characteristics of a wave, one of which is direction of propagation. Direction does assume importance when speaking of waves. Only, however, at frequencies where the size of the source is large compared to the wavelength under consideration. The highest frequencies at which the port in our Low-B systems contribute to system output have wavelengths of 14 feet or so. The speakers are obviously quite small compared to these wavelengths, and the port output is omnidirectional. Again, port placement is irrelevant to system performance.

Putting The Ports Where They Fit!

Why does the B-2 have ports in the back? Because that’s where they fit. Why does the B-4 have its third port in the front? Same reason.

The B-1 system could have been correctly tuned with a shorter, smaller diameter port located in either the front or the back, if location mattered. But it doesn’t. The drawback would have been that at higher power levels, excessive port friction would have resulted in diminished power handling capability. This larger diameter, longer port fits when installed on the side of the box. Plain and simple.

Tell your friends that the reason your B-1 system sounds so good is that the tremendous innovation of a side-mounted port results in some type of magical quantum-leap in performance. In fact, the truth is much less exciting: a high-quality woofer in a solid and correctly-tuned enclosure. Feel free to let other people lose sleep over where their ports are located. Now you know the truth.
 
Stumbo, I've read that before, but it doesn't address why it's considered "wrong" for the ports to be directly behind the speakers. According to experts, the only thing that should be coming out of your ports are the very low freqs. With ports directly behind the speakers, you can get low mids and mids coming out of the ports. Now I don't hear them in my cab, so I guess I got lucky, but you don't see ports behind speakers anymore.
 
Actually, the RT-3315 is a 300-watt RT-3300 head (which I also own and love) stuffed into a 15" loaded combo, while the RT-3100 is only 100 watts.
There was also the RT-3175 in the same configurations (head or 15" combo) with the same features and layout as the RT-3300, but rated at half the output.

Do you know if the EQ section on the RT-3300 (head) is also "passive cut" like on the RT-3100 combo?

TIA,

Ray
 
Hope's this helps!

CONTOUR — Forms a gentle over-all bass-response slope across the most active bass frequencies.
Very useful in compensating for stage size and room acoustics. (Not on the RT-3100)
LO — Controls and shelves frequencies in the extreme low-end of the spectrum. 150HZ and less.
LO, MID — Controls frequencies between 100HZ and 400HZ. (Not on the RT-3100)
MID — Extremely wide-range control of frequencies between 400HZ and 1500HZ.
HI — Shelves and controls frequencies 1500HZ and higher. NOTE: The E.Q. controls are interactive.
There is mild reaction between the controls including some phase shifting. This results in a continuously
variable coloration of your tone including aural enhancement. Your ears are the key to good tone. This
amp is most capable of delivering it.
 
So, if yours is truely a RT-3100 with a 15", it may be a prototype that never went into production!
I just bought one off of eBay so they made at least two LOL. Mine is black tolex not rat fur. A bit rusty but supposedly works fine and only $100 :) . Plus $60 shipping :( , just picked it up at the post office as it was too heavy for them :chicken: - they were afraid I was gonna hurt myself getting it into my van :nailbiting:. I had hoped it would be not much heavier than the 10" version but it's stoopid heavy - I might cut it into a head/cab configuration...

I also have two of the 1x10" combos, an RT-3175 combo, and an RT-3300 head :cool:.
 
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