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Tuning the bass by ear...

Wow, I'm gone for a day and this reached five pages. I wasn't talking about harmonic tuning--more reference tuning. I have a very difficult time hearing the lower notes or the vibrations when out of tune. I didn't create the thread to say I don't know how to tune a bass as some here are suggesting. I was simply curious if this was normal, or if I'm losing my damn hearing. There are some really good responses, and I enjoyed reading them.
 
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Wow, I'm gone for a day and this reached five pages. I wasn't talking about harmonic tuning--more reference tuning. I have a very difficult time hearing the lower notes or the vibrations when out of tune. I didn't create the thread to say I don't know how to tune a bass as some here are suggesting. I was simply curious if this was normal, or if I'm losing my damn hearing. There are some really good responses, and I enjoyed reading them.
Speaking from experience - you are losing your hearing.

Hope this helps.
 
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It’s an interesting issue but not so important so it seems, to fretless players. Even highly respected fretless players don’t always intonate perfectly and no-one cares. A note here and there is not worth worrying about. With frets you get all of them in or out of tune at once.
Because I can.

It’s a good exercise.

Sometimes I don’t have a tuner on me.

At gigs I don’t do it because I don’t want to waste time.

Not to sound like a jerk, but tuning by ear is an essential skill IMO. If you can’t tune by ear how are you able to tell if you or someone else is out of tune or in another key during a song?
Batteries go flat sometimes. Tuners get lost or left behind sometimes. It’s a skill I’m not prepared to forsake. I do use a tuner when time and context (gigs and recording) require it. As has been said, the idea that a musician can’t tune their instrument by ear is weird to me. It’s a basic part of your skill.
 
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So there's actually a much simpler explanation: Your bass is slightly out of tune when you tune using harmonics, because the harmonics themselves are slightly out of tune.

If your bass has good "set up" (particularly the "setting intonation" process) then your fretted notes should not be sharp!

Hi. I agree that if you follow the harmonic series up the ladder, i.e., first harmonic or original wave (root), second harmonic frequency doubling, etc., etc.), that in nature, harmonics, be they RF from a radio transmitter or sound waves from a stringed instrument are not precisely double each time you ascend one step up the ladder. Obviously, the further you get from the original wave, the farther off from mathematical precision the harmonics become compared to the first harmonic. This is rather esoteric knowledge and you are, in my view FWIW, perfectly correct in asserting it. The phenomenon at the second harmonic can be discerned visually using a highly accurate mechanical strobe tuner such as used by piano tuners, for example. In my experience, though, although noticeable at the second harmonic, the discrepancy doesn't become very significant, really, until you reach the higher harmonics at which point the diminishing amplitude becomes a problem trying to measure them.

I think that if you rigorously test your instrument with a highly accurate mechanical strobe tuner, you will find that the string is indeed stretched a little when pressed against a fret and that this does affect the pitch of the note produced a little bit. That is, regardless of how well the instrument happens to be intonated. Of course, both this phenomenon and the phenomenon of harmonics not being mathematically perfect are additive and also compounded or diminished depending on where you are on the string itself, which string is being tested and who knows what else including the fact that equal temperament itself is by definition not perfect making any tuning exercise on a fretted instrument an approximation. Not all or even very many of the digital chromatic tuners presently available are accurate enough to employ for investigating these matters, although they are perfectly fine for tuning up and playing out. It's not a major issue usually, I don't think. But its something that is there, and after all these years considering my own experience such as it is and way more importantly, that of the guitar guys (now called luthiers) I used / use, I will simply say that if merely setting up my instrument was the issue, I would know it by now.

As mentioned, in equal temperament tuning anomalies are baked in to any fretted instrument guaranteeing the impossibility of just intonation regardless of how the instrument happens to be set up. We may have to agree to disagree that fretting a string stretches it a little causing a very small audible discrepancy. I was vexed with these matters for years because for some reason, I happen to be able to hear the discrepancies in pitch. YMMV.
 
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The error that accumulates in tuning by harmonics is tied to the facts that strings have mass, have thickness and have stiffness. Add to those the varying response of the instrument to different string tensions and pitches and you do what we’ve done for centuries: tune it close and refine it the best you can. Unless your action is set particularly high or you press hard on tall frets I’m sure that the pitch error due to fretting is insignificant. i.e. If you aren’t well versed in recognizing pitch error and you aren’t actively listening for it and the note isn’t sustaining long enough, there ain’t nobody gonna notice.
 
I used to play with a guitar player who tuned by ear. He was consistent on getting the strings right with each other but he was always about a half step sharp and refused to put a machine on his guitar to check it. I’d wait til he was tuned, then catch him on my tuner to see where he was, then tune to match him. It was a constant PITA so i cut myself loose after a short time.
 
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Hey all,
I've played both the bass and guitar for several years. One of the things I really have a horrible time with is tuning the bass by ear properly. I didn't usually have a problem tuning the guitar by ear, probably because of the higher frequencies, but with the bass, I always need a tuner--like always.

Am I just losing my hearing or is this normal? Does anyone else have problems identifying the notes of the lower strings when tuning? It seems a bit counterproductive in playing bass if I can't hear what I'm doing.

Personally I think everyone should use a tuner all the time. Tuners have revolutionized to quality of sound so much. Carry extra batteries as well.
 
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Hey all,
I've played both the bass and guitar for several years. One of the things I really have a horrible time with is tuning the bass by ear properly. I didn't usually have a problem tuning the guitar by ear, probably because of the higher frequencies, but with the bass, I always need a tuner--like always.

Am I just losing my hearing or is this normal? Does anyone else have problems identifying the notes of the lower strings when tuning? It seems a bit counterproductive in playing bass if I can't hear what I'm doing.
I started playing the bass before the advent of electronic tuners (Yep, I'm old as dirt). I probably wasn't in tune for most of the sixties. When the Korg tuners came out I never left home w/o one. And now the Snarks are always in my pocket like a comb or wallet. I've found using a tuner and playing in tune consistently has actually improved my ear dramatically.
 
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My niece legitimately has perfect pitch. She has had it since she could talk. When she was two years old she yelled at my mother as she was singing the A B Cs song, “Grandma, Grandma, You’re Singing It WRONG!!!”

This reminds me of a sad story of a friend of mine that had perfect pitch, but she tuned (imprinted?) to a piano that was not tuned correctly. When she was old enough to go to school and start music, she couldn't handle it because everyone else was out of tune. She stopped caring about music.
 
A few years back I took my old acoustic DB to a local luthiery for a bridge fitting, when they'd finished adjusting it they asked me to stick it back on the bass and tune it to see how the action was... so no tuner and with a few people watching I did the A string from memory and then the rest from there and lo, it was correct to a tuning fork that suddenly got produced. I'd like to claim perfect pitch but I have to say even though I have perfect relative pitch it was total fluke to get that A right in the first place.

I was called out on TB for using the term "perfect relative pitch." I looked it up and they were correct. It is only relative pitch. My PHD music teacher in the 70s messed me up on the term when he told me that is what I have. Now I guess I feel obliged to pass on the guilt to atone for my ignorance passed down by past generations.
 
It can be difficult to tune by ear for some people. Personally my question to you on that would be why are you worried about a dead skill? Buy a tuner, problem solved.

Yup, I have a clip on that cost me around $30 cause I didn't trust the cheaper ones. It still struggles a bit to pick up the b string, but I leave it on the bass head 24/7. If the band is out of tune from me, then I pass it around. If there is an acoustic piano that is out of tune, well then, we have to go back to the basics and this thread comes back into relevancy.
 
This reminds me of a sad story of a friend of mine that had perfect pitch, but she tuned (imprinted?) to a piano that was not tuned correctly. When she was old enough to go to school and start music, she couldn't handle it because everyone else was out of tune. She stopped caring about music.
Ouch!
Thankfully my niece has never had such problems. She’s in college now for biology major. She plays piano and trumpet and is getting some financial aid for playing trumpet in the school band. She’s a very good musician all around.
Another story I have of her similar to yours, when my niece was much older, she was playing with my own daughters toy giant floor keyboard and said, “Wow, this whole thing is off half a step. C is really a C#!”
I joked back to her that, “...to ME, its a C because its the white key to the left of the two black keys.”
 
I started playing the bass before the advent of electronic tuners (Yep, I'm old as dirt). I probably wasn't in tune for most of the sixties. When the Korg tuners came out I never left home w/o one. And now the Snarks are always in my pocket like a comb or wallet. I've found using a tuner and playing in tune consistently has actually improved my ear dramatically.

I also have a Snark, but for some reason, it doesn't work very well. I've tried replacing the battery, but I have a helluva time getting the thing to register the notes. I've been plugging into my Zoom B3 and using that tuner, but I'd love to find a tuner that I can leave clipped on the head stock.
 
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I also have a Snark, but for some reason, it doesn't work very well. I've tried replacing the battery, but I have a helluva time getting the thing to register the notes. I've been plugging into my Zoom B3 and using that tuner, but I'd love to find a tuner that I can leave clipped on the head stock.

Have you tried moving it around? I've found there's a sweet spot on the headstock where it works best.
 
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Not very practical: applying a 440 tuning fork on the A string at fret 12 produces an amazing effect.
But buy a tuner, man. When you are on stage, you dont have enough time, or silence, to tune by ear. And with the muted input, you can even tune during a song!
 
I started playing the bass before the advent of electronic tuners (Yep, I'm old as dirt). I probably wasn't in tune for most of the sixties. When the Korg tuners came out I never left home w/o one. And now the Snarks are always in my pocket like a comb or wallet. I've found using a tuner and playing in tune consistently has actually improved my ear dramatically.

I have a Korg tuner (not a pedal one) which I bought 25 years ago. Still works. Still has the original batteries.
 
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