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This sounds like a page right out of "Frosty the Snowman."
I'm of the view that over time bad guitars and basses tend to get "weeded out" and since it's the good ones that stick around, and are well played in and feel good in the hands, we romanticize them a wee bit. But so long as you're motivated to play better that's alright!
I would like to think it does, woods and tone certainly can change as an instrument ages. My 77 Jazz was purchased by my brother in the early 80's, was toured with exclusively and has logged thousands of gigs. I would like to think that has some effect on it.As some of you know, I have been an active collector of Fender Precision basses over the past couple of years. I fell in love with '60s basses and then in 2014 I felt I had learned enough to start in on '50s P basses.
I recently acquired a grail bass: a '58 sunburst in near mint condition and was just playing it until a few minutes ago.
I wonder, and it's a spiritual question, but could the combined musical knowledge and skill of all the bassists who owned and played a bass for decades, be ingrained and embedded in these old basses? I ask because, when I am playing these 1950's basses, I play so much better both technically and rhythmically than I usually play. There is just so much inspiration and soul in the wood of these magical instruments.
All I know is that these basses are not only iconic objects, but also hallowed musical machines.
It's just wood, dude. I think it's just your mentality when picking up a bass that you know to be from those eras. Your playing likely doesn't change, it's just your satisfaction from playing something with that much history.As some of you know, I have been an active collector of Fender Precision basses over the past couple of years. I fell in love with '60s basses and then in 2014 I felt I had learned enough to start in on '50s P basses.
I recently acquired a grail bass: a '58 sunburst in near mint condition and was just playing it until a few minutes ago.
I wonder, and it's a spiritual question, but could the combined musical knowledge and skill of all the bassists who owned and played a bass for decades, be ingrained and embedded in these old basses? I ask because, when I am playing these 1950's basses, I play so much better both technically and rhythmically than I usually play. There is just so much inspiration and soul in the wood of these magical instruments.
All I know is that these basses are not only iconic objects, but also hallowed musical machines.
Cool are all those yours? I live in your neck of the woods can I touch them?[Invalid or Expired Link Removed]
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Those are photos from the OP's Instagram account...you'll have to ask Rob S though he is in California.Cool are all those yours? I live in your neck of the woods can I touch them?![]()
Those are photos from the OP's Instagram account...you'll have to ask @Rob S though he is in California.
Photos from the OP's Instagram account:
'58 P Bass
[Invalid or Expired Link Removed]
Family Photo
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Yeah, but what if the previous owner(s) sucked???
Yeah, more like that - been experiencing that feeling myself lately, find myself playing things I didn't know I could play on the Earthwood.there is probably something along the lines of it being a great playing and sounding instrument that inspires and/or makes you play better. Does it embody some kind of fairy tale magic ? well thats debatable, its probably just you.
No.could the combined musical knowledge and skill of all the bassists who owned and played a bass for decades, be ingrained and embedded in these old basses?