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Violin Bass for Metal?

This has probably been asked before, but does anyone think it can be done? I have always loved they way violin basses look, but i play mostly rock and metal, and there are feedback concerns. I personally think the smaller neck might make chords and soloing better. And some say that the feedback isn't even a big deal. Thoughts?
 
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If the body is sealed (no f-holes) like a Hofner, feedback should not be a problem, and violin basses do come in black finish, so that aspect of metal can be covered as well. I cannot offer any opinion regarding whether the sound will be appropriate for metal.
 
Did it with a fretless douglas violin bass with d'addario black tapewounds... actually sounded pretty badaxe… the rest of the band members weren't digging my Jack Bruce tones though... was mean and thumpy with my overdrive... lost a lot of note definition and cut through... but oh the glorious low end... thinking about picking up an igniton series club or violin to try again...fretted this time,with rounds...
 
Having owned an Epiphone Viola, I don't think it will work all that well.
Short scale and the overall construction lead to a rather thumpy, old school tone.
Not much treble and overtones which help you cut through the dense mix of a metal band.
Pickups are rather low-output as well IME.

When I think "metal bass", I think tight, trebly and a bit dirty - all of which a violin bass usually isn't.
It could work with some heavy EQing, stainless steel roundwounds and heavy attack I suppose. How well I dunno.
 
Yeah, it might look a little weird, but I'm thinking it would work OK - probably need round wounds on it, though. I have a Starfire violin bass (Chinese generic one) with old rounds on it. Sounds pretty good that way; be even better with new strings, though... I'm not a big Metal fan, but, yeah, that sound would work. The only real drawback, IMO, would be the bridge. 2-piece floating bridges don't usually respond well to ... vigorous ... playing styles. Unless you want to play "Where's my Fricking bridge?!?" on-stage, you might have to pin it in place - like a lot of Gretsch guitar players have to...;)
 
Just giver!

I play only 500/1s and I use them for everything. You can get a very distinctive tone with the hollow bodies, with no feedback, and a contemporary tone with the CT series due to the sound block (as others have mentioned).

I'd say give it a shot and see if you like it. That's the only way you'll know.
 
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I have tried it in a Hard Rock project. The low end was so mesmerizing. It really made everything sound really full. But that was it. Big and thumby but not much high end content. I had rounds when I did this but the drums and guitar just drown any clank or grind the little hofner produces.

Still, just try it. It's a great sound and it can work. Although if we're talking about modern djent, agressive, Darkglass type of metal, this is far from ideal
 
Felix Pappalardi kinda did it.

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