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Violin Bass for Metal?

This has probably been asked before, but does anyone think it can be done? I have always loved they way violin basses look, but i play mostly rock and metal, and there are feedback concerns. I personally think the smaller neck might make chords and soloing better. And some say that the feedback isn't even a big deal. Thoughts?
Throw on some distortion and chug!
 
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Greco made a solid body violin bass in the '70s. It had two 'rail' humbuckers and a high mass bridge.

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This would work for metal.
 
they do have a fat low end. that can work for anything. not much grindy top end a la rickenbacker or fender jazz, but as long as you go into it expecting that i think it will be fine.

also some originality is nice - a black Hofner with gold hardware in a metal setting, i'd be super into it.
 
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I would love to own a solidbody violin bass, but they are sooooo rare now. My friend actually owns one, but he won't sell because was a "gift". He doesn't even play bass lol.
Rare but occasionally out there:
1965 Vox Model V-232 Solid Body Electric Violin Bass Guitar 100% Stock w/ohc
Ibanez Violin Style Bass Guitar 1960's Sunburst

Here's a (not necessarily complete) list:
NBD-Eastwood EB-1

The turn-of-century Epiphone EB-1 may pop up a little more easily than others; the Eastwood EB-1, as mentioned above, is in production:
NBD-Eastwood EB-1 (and the rest of the thread)
 
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The Hofner HCTs are practically solid bodies due to the sound block.
Hmmm...not so sure about that. CTs are certainly less hollow than the fully hollow models, but I think the sound (playing experience) has more in common with a hollow bass than a slab. I'm sure the floating bridge is a significant factor, too...not sure exactly what to attribute to the bridge vs. the semi-hollow body, but at any rate, even the CTs have a lot more air in the tone than a typical slab. (The real benefit of the center block is no neck dive on a strap.)
 
Hmmm...not so sure about that. CTs are certainly less hollow than the fully hollow models, but I think the sound (playing experience) has more in common with a hollow bass than a slab. I'm sure the floating bridge is a significant factor, too...not sure exactly what to attribute to the bridge vs. the semi-hollow body, but at any rate, even the CTs have a lot more air in the tone than a typical slab. (The real benefit of the center block is no neck dive on a strap.)

That hasn't been my experience, but that's okay. Also, I don't usually have neck dive on my hollow body Hofners. When I use a nylon strap I do, but not with leather straps.
 
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I don't know about ironically but angrily might help. I think, in order to make a Daisy Rock metal, you would have to do the following:

Strap it to a zombie, impale the zombie on a big spike, then, as it thrashes around, come up from behind and play it while it's on said zombie.

what if you paint the daisy flat black with a few obvious bloody streaks and add black hardware? I'D play that for metal :D
 
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Tommy Stinson (The Replacements, Guns n' Roses, Soul Asylum, several other acts) has been known to use a Hofner violin bass from time to time. Not quite metal, but he's been in some rockin' bands.
Tommy stinson likes the violin basses but in interviews he CLEARLY STATES he never used them in Guns N Roses because they don’t have the proper tone for the music. Also in the days of The Replacements he didn’t have the Hofners yet. He used a Ric early on and switched mainly to P basses for most of his career. And in recent years when the Mats got back together he used his ESP signature vintage 4 basses. He only uses the Hofners for certain recording purposes
 
Tommy stinson likes the violin basses but in interviews he CLEARLY STATES he never used them in Guns N Roses because they don’t have the proper tone for the music. Also in the days of The Replacements he didn’t have the Hofners yet. He used a Ric early on and switched mainly to P basses for most of his career. And in recent years when the Mats got back together he used his ESP signature vintage 4 basses. He only uses the Hofners for certain recording purposes

Never said he used them on stage with a particular band, just that he's used them from time to time. Thanks for the clarification though.

On a side note, Alain Johannes (touring bassist with Them Crooked Vultures among many other things) has been known to us a Rogue VB100 on stage with that band.
 
When I saw Spirit Caravan, Dave Sherman was playing a Gibson hollow body bass. Not a violin style, but he definitely rocked it in a very distinctive way that made it entirely unlike a more conventional “metal” bass experience.

That sounds like the best/most unlikely Canterbury/California mash up ever

OMG absolutely not! That's right up there with wearing shorts onstage

Have you met Uncle Angus?
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