Hi all,
Last question I asked here was related to getting a fatter, warmer tone out of my jazz bass, was recommended to pick up a Sansamp VT bass: this has worked out excellently, thank you!
I wonder can anyone give me another tip. Am gigging regularly at the moment, playing a lot of blues, down around the low registers. The problem I'm having is that when for instance throwing in small flourishes that necessitate using slightly higher registers, I may end up on the G string. It's quiet to the point of being inaudible, when compared to the nice boom of my E and A Strings.
Should I stick to those strings and travel up the neck? Seems a horrible solution.
Currenly I'm playing a geddy lee model jazz through a compressor (pretty much flat) followed by the VT bass (mids and highs not far off 12 o'clock, bass a bit higher, character turned left, not much drive). Finally out through a warwick sweet fifteen which has mids a bit down with treble, bass closer 1 o'clock.
I've found the same thing playing through my other basses (old Aria SBs now largely untouched) without any compressor etc...just seems to me when I'm gigging that those strings get lost.

Last question I asked here was related to getting a fatter, warmer tone out of my jazz bass, was recommended to pick up a Sansamp VT bass: this has worked out excellently, thank you!
I wonder can anyone give me another tip. Am gigging regularly at the moment, playing a lot of blues, down around the low registers. The problem I'm having is that when for instance throwing in small flourishes that necessitate using slightly higher registers, I may end up on the G string. It's quiet to the point of being inaudible, when compared to the nice boom of my E and A Strings.
Should I stick to those strings and travel up the neck? Seems a horrible solution.
Currenly I'm playing a geddy lee model jazz through a compressor (pretty much flat) followed by the VT bass (mids and highs not far off 12 o'clock, bass a bit higher, character turned left, not much drive). Finally out through a warwick sweet fifteen which has mids a bit down with treble, bass closer 1 o'clock.
I've found the same thing playing through my other basses (old Aria SBs now largely untouched) without any compressor etc...just seems to me when I'm gigging that those strings get lost.
