I personally love the idea of a 2+2 headstock neck on a J body.
My issue is that I want a 24 fret, 2+2 neck on a scaled down J body!
Yes, wish Zon had that option, I'd be all over it!
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I personally love the idea of a 2+2 headstock neck on a J body.
My issue is that I want a 24 fret, 2+2 neck on a scaled down J body!
On a design so prone to develop dead spots, affecting them can only be a good idea.
On a design so prone to develop dead spots, affecting them can only be a good idea.
Unfortunately, That was a day late and a dollar short for my pocket book (at the time, at least!).
I have never seen a correlation between 2x2 and lack of dead spots. The only reliable solution to dead spots I have seen is to add mass, especially via steel bars. Warmoth is the only solution.To those that have a 2+2, do you have any dead spots?
Does it look weird? Advantages? Disadvantages?
I have a PRS SE Kestrel (the one on the left) that is a J with a 2+2 headstock, similar to the Warmoth. I think it looks fine.
Although, I might be a bit biased...
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I wonder if my other basses will cause a scene if I look at it from time to time in passing.
Kev Hopper Of The 90s indie band Stump. It was an option that Wal offered by very few took them up on...Fender shapes and dimensions should have a flat inline HS (4, 4 + 1, 4 + 2, or 3 + 2 like Lakland), IMO. That PRS is not a traditional Fender-y shape. It derives from more... symmetrical instruments like Gibson, which is why it looks great with a 2 + 2.
There was a guy online someplace who had a Wal with the standard 2+2 neck but had a P-shaped body. I would have been proud to own it (hey, it was a Wal, after all), but I sure didn't like the way it looked.
Kev Hopper Of The 90s indie band Stump. It was an option that Wal offered by very few took them up on...
I have never seen a correlation between 2x2 and lack of dead spots. The only reliable solution to dead spots I have seen is to add mass, especially via steel bars. Warmoth is the only solution.
Right. I have had 7 of their necks and the dead spots are much improved but not totally gone. I would say they are 85% dead spot free. When I play other basses the dead spots feel like pot holes in the road. Warmoth makes them little more than expansion joints.I've got two Warmoth necks, a fretted and a fretless, and both have dead spots to a degree. I'd call them "not-quite-bright spots" to be honest. It's not like those notes are unusable, but they're less lively by a long shot.
I had one. Loved the way it worked but wasn't thrilled with the look. I eventually swapped out the neck for an inline and it looked better but didn't work quite as well (weight and balance).
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