Yes, it's good to go right out of the package.Sorry for all the questions - when you buy a nut along with a neck from Warmoth, do they file the string slots for you, so that no additional filing is needed?
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Yes, it's good to go right out of the package.Sorry for all the questions - when you buy a nut along with a neck from Warmoth, do they file the string slots for you, so that no additional filing is needed?
It takes 10 minutes and $2 in sandpaper to thin down a neck to any profile you want.....
I'll have to disagree with you there. Like you said, different strokes for different folks, but I have had 6-8 Warmoth necks, all P Bass width, 2 Slim Tapers (1 Fretless, 1 Fretted). I will ALWAYS order the Slim Taper from here on out, I love'em! TBH, I adore Warmoth, its all I play now!I would steer clear of the Warmoth slim profile necks.
I would steer clear of the Warmoth slim profile necks. I had a Warmoth slim profile P neck that I really didn't like the feel of at all.
Good guess, but no - it's a rather complicated circuit I did for a client. The thing has 4 modes - everything from a simple neck pickup mode to more complicated modes that have "crossovers" between pickups spectrally. The switch is an industrial grade thing I got that allowed me to redundantly wire critical contacts, so the thing would be reliable - he makes his living as a musician, so I wanted that bass to be especially robust. It took a couple of hours to wire the thing and get everything in place.
I have had 10 Warmoth necks with graphite rods. They're not at all heavy - I'm obsessive about weight and weigh everything when building basses. I get roasted maple necks with graphite rods - they're ALL lighter than my Mighty Mite (unroasted maple, non reinforced, thinner) neck. For example:
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This bass is 6.6 pounds. Even that light, hung on a strap, you can jump up and down, and doesn't move - it balances just fine (that's a P width neck - a J would be even lighter). Oh, and yes, the slim profile is nice.
Another beautiful neck ! Love the look of the flame maple roasted and binding. Considering how well made they are and a lifetime of playing you can get out of one ( not to mention the options) they are well worth it.I went with the standard profile J on my PJ, and I like it a lot, but I was specifically looking for something that kind of sat in-between a J and P neck. There *are* times I wish it were a little slimmer, but it's still really manageable and comfortable.
Roasted flame maple neck, graphite rods, rosewood, blocks & binding, with Hipshot ultralights. It's really light, stiff, and resonant. Good stuff.
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That’s really cool mod, great job ! I would love to have one made but need to save for a neck .Good guess, but no - it's a rather complicated circuit I did for a client. The thing has 4 modes - everything from a simple neck pickup mode to more complicated modes that have "crossovers" between pickups spectrally. The switch is an industrial grade thing I got that allowed me to redundantly wire critical contacts, so the thing would be reliable - he makes his living as a musician, so I wanted that bass to be especially robust. It took a couple of hours to wire the thing and get everything in place.
And yes, it's a 70's Jazz that is....well, let's just say it's not ever going to be "vintage" - the control route had to be widened to fit the switch in place (and it was re-finished at some prior point). It is, however, a good musical instrument, with far more diversity of sounds available than any stock Jazz Bass.
Wow! Nice looking piece of body wood that is!
What is it?
Another beautiful neck ! Love the look of the flame maple roasted and binding. Considering how well made they are and a lifetime of playing you can get out of one ( not to mention the options) they are well worth it.
Just swamp ash fro Warmoth (chosen for its light weight), and a bit of fun with staining, sanding back etc to get the pronounced stripes. Part of the cool factor is that it's also a 1 piece body - it's assymetrical in terms of grain pattern, and has no seams anywhere.