I’ve told this story before but here goes anyway.
Back in my not totally misspent youth I got into the whole progrock thing. ELP was my favorite because I loved what Greg Lake was doing with the bass in that band and in King Crimson earlier.
Then along came ELP’s Brain Salad Surgery album and I was floored by the bass tone he was getting plus the fact you could clearly hear every single note he was playing.
Then that same year, in a Guitar Player interview in the September 1974 issue, there was this:
Those were words of wisdom to me. So I tried out a Ripper first chance I got (not an easy thing to do back in the days of mom&pop guitar shops an prior to GC’s liberal willingness to let people actually touch the instruments) and discovered what the interview said was true. So I bought one as soon as I could save up enough to get one. Which I did in April of 74.
That was my very own first bass. (Prior to that I played a borrowed JB my cousin loaned me so I could play in his band since I was primarily an upright player at that point.) And it remains my main bass to this day. As long as I can still play it I’ll be keeping it.
It was not babied. But it was well cared for since I don’t believe in abusing musical instruments. And although it does have the inevitable wear any instrument that’s been played will eventually acquire, it’s still in very good shape for an instrument that was regularly played and roaded for over 40 years.
We’re a team that bass and me.
Back in my not totally misspent youth I got into the whole progrock thing. ELP was my favorite because I loved what Greg Lake was doing with the bass in that band and in King Crimson earlier.
Then along came ELP’s Brain Salad Surgery album and I was floored by the bass tone he was getting plus the fact you could clearly hear every single note he was playing.
Then that same year, in a Guitar Player interview in the September 1974 issue, there was this:
Still another change for Greg is to Gibson after many years of keeping company with the Fender Jazz Bass. A new prototype model distributed by Gibson called "The Ripper," Lake's instrument embodies more powerful pickups than the standard bass humbuckings, as well as a mid-range choke to wring greaters highs from the instrument. Greg feels it is the most "reliable and accurate" instrument on the market. He likes a bass that is electronically well-designed with an absolutely precise neck in perfect tune all the way up to the 22nd fret of the low E string. He also prefers for nothing to be heard resonating in sympathy with a particular note; that is, the bottom E string is of the same intensity as the high G. Lake feels the main feature of his instrument is its capacity to produce four entirely different sounds.
Those were words of wisdom to me. So I tried out a Ripper first chance I got (not an easy thing to do back in the days of mom&pop guitar shops an prior to GC’s liberal willingness to let people actually touch the instruments) and discovered what the interview said was true. So I bought one as soon as I could save up enough to get one. Which I did in April of 74.
That was my very own first bass. (Prior to that I played a borrowed JB my cousin loaned me so I could play in his band since I was primarily an upright player at that point.) And it remains my main bass to this day. As long as I can still play it I’ll be keeping it.
It was not babied. But it was well cared for since I don’t believe in abusing musical instruments. And although it does have the inevitable wear any instrument that’s been played will eventually acquire, it’s still in very good shape for an instrument that was regularly played and roaded for over 40 years.
We’re a team that bass and me.
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