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Or if there’s some package that may be good since I have nothing right now.
LOL.... try running 96 PAR64's that don't change colour on "just faders".. I had 48 channels of dimming. YES.. it was an active job. 2 scenes... A and B. That's it. OH.. and almost 2 tonnes of gear including dimming and cable. Today's stuff is just a gajillion times more efficient, and you seem to use it to good effect!I’m a big fan of the Chauvet DJ SlimPAR64 RGBA units. At a local venue where we produce an annual youth rock festival, for which I serve as lighting director, the small stage has four SlimPAR64 RGBAs and three Hex units that sit on the floor behind the band and wash the rear wall. It’s a simple system, but it works pretty well. Unfortunately, we don’t have a great controller, so everything has to be done in real-time by throwing faders. Somehow, I manage to make it work.
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My two guitar players (believe it or not) generally help me with setup and teardown. To set up the two sides probably 20 - 30 minutes to have it up and running. If I add the rear truss setup probably another 25 - 30 minutes there and again the guitars help. We're used enough to doing it now that we've kinda got a system established and still refining it. Move through the steps in order and it all goes together in a reasonable amount of time and labor. Everything's a tradeoff.Does it take a while to set all that up?