I think the most expensive wood part will be ther acrylized fingerboard from Larry...![]()
oh my!!! Will it need to sound like wenge???
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
I think the most expensive wood part will be ther acrylized fingerboard from Larry...![]()
I got an email from Mike Tobias and he seems to feel like he has not found a good substitute for wenge, tone-wise at least. So I am thinking his reasons for using more ash do not have to do with its wenge-esque resonance.
Interesting guitar, Adron. I can't imagine it was fun bending the sides for that sucker. I will drop them an email and see if they have any insight.
Black locust sounds interesting but I imagine finding any examples in instrumentbuilding will be hard to come by.
Unsalted? That's asking entirely too much.I would like the fingerboard to sound like "organic" european style full cream unsalted butter... Is this possible Larry?![]()
Then he could call his casting resin "Resin8".I hear Larry is working on a scientific formula that will allow him to acrylize to specific tones. You give him the ambiguous metaphorical description and he will tune the fingerboard with his machines and chemicals. At least that's what the voices in my head just told me.
A good friend of mine spent over 2 years in South Africa and I asked him to check locally for some standard stuff like Zebrano and Wenge. He asked around and there is virtually no locally idigenous woods available. Around that area apparently they only grow a new pine strain that grows fast and tall, it's taken over all the domestic forests. I understand the need for cheap woods for building but that could explain another reason for the lack of our favored woods.
Dirk
