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What are good string gauges for D Standard & C# Standard?

Hello all,

So one of my all time favorite bands, All That Remains, uses D Standard and C# Standard throughout pretty much all of their songs and I'm really itching to learn them.

So what string gauges are good for that? Note that I'll only be using one bass (4-string) so I need a set that is flexible enough to work with both tunings. I'm not looking to go any lower than these, I hate Drop B/A and all that stuff, just not my thing.

Oh, and what's a good pick to use for these tunings? 1.14 mm?
 
Hi there,

I'd would say gauges 45-65-85-105 are quite sufficient for D standard. I often play in this tuning. This could work for C# standard also.

Otherwise, try 50-70-85-105 a gauge formation offered by Ernie Ball and D'Addario (and others, of course....) This would produce a bit more tension if that's what you prefer.
 
^ What knuckle_head says.

You need a lowest string of at least a .110 to maintain sufficient tension (30 pounds) when tuned to C#. I also recommend equal tension on each string for an even tone, feel and technique across the strings and to avoid excessively tight or loose strings in either tuning. You can create a custom set of single strings using the daddario tension chart to choose gauges with equal tension.

Alternatively you can buy a balanced set from Link Removed, they have a big choice of sets for detuned fourths here: Link Removed. I recommend the 112 118 or 124 set depending on your preference for tension.
 
Darn these gauges are varied :( Thanks everyone for their help, though, it helps a lot! Any recommended string brand though? Or does it even matter? I've only ever used Ernie Balls and GHS Boomers before.
Follow the links;

. . . you can buy a balanced set from Link Removed, they have a big choice of sets for detuned fourths here: Link Removed. I recommend the 112 118 or 124 set depending on your preference for tension.
 
So one of my all time favorite bands, All That Remains, uses D Standard and C# Standard throughout pretty much all of their songs and I'm really itching to learn them...
Here's a crazy idea (crazy enough that it might actually work):
Did you contact the band--say, through a fan site--and ask the bassist what he uses?
Bassists are people too. He just might answer your question. Heck, he's probably a TB member...if you could only figure out which one. :eyebrow:
 
Here's a crazy idea (crazy enough that it might actually work):
Did you contact the band--say, through a fan site--and ask the bassist what he uses?
Bassists are people too. He just might answer your question. Heck, he's probably a TB member...if you could only figure out which one. :eyebrow:

First off, its a she :p ;) Second off thanks but I dunno if she would answer, but good idea never thought of that.
 
I'm going to give this thread a bit of a bump.
I have an Ibanez SR755 ... which is 34", not 35". Seems like the enemy of downtuning, but I'll be recording an album in C# Standard and I'd like to keep this bass. If I get the .158 .118 .088 .064 .046 set, will I still be able to get a good tone and not flappy clacky city with my fingerstyle playing? When I tune my current strings, which I think are 105's down to that, it sounds just too floppy. I actually sorta like the feel of it, the looseness of the strings allows me to hit all the notes string to string very fast, but the dull tone and ugly string noise just sounds straight awful. Will these strings fix my woes, or is my only hope getting a 35" scale bass?

Oh, and to make it trickier... I wouldn't mind the low G# being occasionally usable too :p
 
I'm going to give this thread a bit of a bump.
I have an Ibanez SR755 ... which is 34", not 35". Seems like the enemy of downtuning, but I'll be recording an album in C# Standard and I'd like to keep this bass. If I get the .158 .118 .088 .064 .046 set, will I still be able to get a good tone and not flappy clacky city with my fingerstyle playing? When I tune my current strings, which I think are 105's down to that, it sounds just too floppy. I actually sorta like the feel of it, the looseness of the strings allows me to hit all the notes string to string very fast, but the dull tone and ugly string noise just sounds straight awful. Will these strings fix my woes, or is my only hope getting a 35" scale bass?

Oh, and to make it trickier... I wouldn't mind the low G# being occasionally usable too :p

Scale length only helps so much, are you planning on using the .118 for C#? If so after you put the Circle K set onto your bass and setup intonation and string height you might become addicted.
 
I'm going to give this thread a bit of a bump.
I have an Ibanez SR755 ... which is 34", not 35". Seems like the enemy of downtuning, but I'll be recording an album in C# Standard and I'd like to keep this bass. If I get the .158 .118 .088 .064 .046 set, will I still be able to get a good tone and not flappy clacky city with my fingerstyle playing? When I tune my current strings, which I think are 105's down to that, it sounds just too floppy. I actually sorta like the feel of it, the looseness of the strings allows me to hit all the notes string to string very fast, but the dull tone and ugly string noise just sounds straight awful. Will these strings fix my woes, or is my only hope getting a 35" scale bass?

Oh, and to make it trickier... I wouldn't mind the low G# being occasionally usable too :p

You'll be fine with a 34" scale, there are people successfully tuned a lot lower on that scale. The Circle K balanced .158 set will work well tuned to G#C#F#BE. It will have each string at a similar tension to a .100 E. You could even use the balanced .150 set if you want an extra light tension.

The G# string will be totally usable.
 
Such helpful souls! Gotta love fellow bassists. I think I will have to order the .158s (When the sites up), because I'm also playing in a band that uses Drop B tuning this summer.

I was thinking about maybe jumping from the .118s to the .124, though that's a $12 jump. $48 is ridiculous, are these strings really that good guys... judging by the praise, I guess so, but still. Damn!

Also, an issue I seem to have is that tapping arpeggios really just dont work well on my bass. Even when I really focus on pressing the notes, they dont come out anywhere near as loud as pressed notes do... and this is an issue I experience when not downtuned! If I aim for heavier strings, does that help with tapping? Or more tension? This bass just never felt that right with tapping... my Jaguar was better
 

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