I think what I love most about playing a 5 string bass is that, at least to me, navigating on the fretboard seems much more logical, like in particular how 3 octaves exactly mirrors 3 frets apart, 3 strings down, across the fretboard, and how triad harmonies mirrors in octaves 3 frets apart, 3 strings down, across the board.
There's just a very logical mathematical symmetry to navigating on the fretboard of a 5 string bass, that isn't present on a 4 string, or 6 string bass for that matters, to the same degree, like as if a 4 string bass has one too few strings and a 6 string one too many.
Apparently I am not the only one who have made this observation about 5 string instruments in particular, though this is a guitar, and not tuned in all fourths standard tuning, like I, and most others would tune their 5 string basses*), I have heard Jacob Collier mention something similar about his custom 5 string guitars, concerning the logical mathematical symmetry of having exactly 5 strings, and in particular when utilizing triads a lot.
Chords and scales just seems to make more sense on a 5 string bass, at least for me.
*) For what it is worth, while I do tune in standard all fourth tuning, my main 5 string bass is tuned in G# standard tuning (that is as in one half step bellow the upper 4 strings of 6 string bass in regular B standard tuning, plus a high E), so I do utilize chords a lot more than the average bass player, and a playing style that is more of a crossover between traditional bass and traditional guitar playing style.
There's just a very logical mathematical symmetry to navigating on the fretboard of a 5 string bass, that isn't present on a 4 string, or 6 string bass for that matters, to the same degree, like as if a 4 string bass has one too few strings and a 6 string one too many.
Apparently I am not the only one who have made this observation about 5 string instruments in particular, though this is a guitar, and not tuned in all fourths standard tuning, like I, and most others would tune their 5 string basses*), I have heard Jacob Collier mention something similar about his custom 5 string guitars, concerning the logical mathematical symmetry of having exactly 5 strings, and in particular when utilizing triads a lot.
Chords and scales just seems to make more sense on a 5 string bass, at least for me.
*) For what it is worth, while I do tune in standard all fourth tuning, my main 5 string bass is tuned in G# standard tuning (that is as in one half step bellow the upper 4 strings of 6 string bass in regular B standard tuning, plus a high E), so I do utilize chords a lot more than the average bass player, and a playing style that is more of a crossover between traditional bass and traditional guitar playing style.
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