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What effects don't work for you

Answers are going to vary depending on what kind of music you predominantly make.
This is intriguing to me as a player who's never used effects on bass, having learned from teachers and engineers in the 80s that "effects are for guitar." I'm not saying "get off my lawn," but I have a strong bias for a clean bass tone making it possible to hear every note distinctly. But then I'm not a rocker so YMMV.
 
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I could live without them all. I just wouldn't want to.

Seriously, I would very much much my Digitech Drop, because then I'd have to bring 2 more basses to every gig. And it includes an sub-octaver that I use on a growing number of covers. I would miss everything else alot less, but since going DI/IEM, I find myself spending an increasing amount of time getting fiddly with my pedals, so it's likely that how much I'd miss them will increase going forward.
 
I find these ones useful. Could certainly live without all of them. Welll...actually I have gotten pretty attached to the comp and the soul food.

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I figured this would bring out the luddites and fundamentalists. Yawn. Why should guitarists have all the fun? It’s like cooking; the right spice in the right amount at the right time can make or break a meal. Squire’s “The Fish” opened up a lot of possibilities.

My takeaway from this thread is there's a near-universal hate for flangers here.
Au contraire, for years there were many examples, due to the entire mix getting the treament, of flanged bass(just ask the Axis), but when I heard “Pictures Of Matchstick Men” in particular, I thought “I want some of that”. Had to wait ten years, but I was first in line for the original EHX Electric Mistress. In the interim, there was the related sound of phase shifters(O’Jay’s “For The Love Of Money)and double tracked chorusing(from the Yardbirds to Jaco)on till the electronics caught up with the Talking Heads, Wire, Joy Division, and The Cure(“Primary” for a flange example, dig the swirl). Moderation for modulation is the key, unless you’re purposely going for noise.

I like Ted :cool:
Never not been an assclown.
 
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All effects. I need some overdrive/distortion to be happy, but my amp gives me that so I don'[t know if that counts. Same story with compression.

But as far as effects like chorus, flange, tremolo, synth etc... don't need them. I like a little chorus once in a while when I'm playing fretless but I live without it just fine.
 
I consider HPF a utility rather than an effect, that's the only one I always use. I often use overdrive but would be fine without it. For context, I tailor my sound to mix well with rock drums and one or two distorted guitars. Focusing on the fundamentals that actually get through is different than a good solo sound.
 
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