Originally posted by christos
BOYCOTT Seattle, Grunge, Nirvana, Etc......
Why?
Steve
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Originally posted by christos
BOYCOTT Seattle, Grunge, Nirvana, Etc......
Originally posted by rickbass1
Brian - Since this thread has gotten so far away from the original question, re: rock bass in the 90's, I'll stray, too, because your comments intrigued me. I saw/heard an early `70's incarnation of Return To Forever with Clarke on Alembic (new 70's technology) and a guy named Raymond Gomez on guitar. The consensus of the people with whom I saw the concert, myself included, was that we had just been to a rock show, (Gomez was even playing through a Marshall stack, with a distortion effect for most of it). John Paul Jones, Geezer Butler, and Tom Hamilton may not have started anything but they were at least doing things differently. And Chris Squire took the Rick to places McCartney never thought about.
I saw Helborg on a jazz TV show, before cable became commercials interrupted by programs, with Ginger Baker, and you're right...his playing captivated me because it was as otherworldly as it was beautiful.
Originally posted by Bruce Lindfield
The difference from the late 90s on, is that people can buy what they want via the internet, rather than what happens to be in the shop under the category that they usually look in. So in discussion groups like this, we can reccommend CDs and people can probably find them on the internet and in fact it seems that most people are now trying before they buy and going on what sounds good to them.
It may get to the point where the tastes of record company execs no longer determine what is "rock" or "fusion" and so we can actually find out that the "bass community" was actually quite healthy in the various decades by following up personal reccommendations, rather than being limited by what companies are prepared to sell us or tell us were the classics then. [/B]
What does that have to do with the price of tea in china?Originally posted by christos
BOYCOTT Seattle, Grunge, Nirvana, Etc......