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Originally posted by mayfairmistress
im just giving you what you expect.
Originally posted by mayfairmistress
look, im not ignorant, i know im not ignorant, its just people like you that take everything personaly and asume im ignorant and go acting like im ignorant tend to make me act ignorant.
Originally posted by mayfairmistress
you people make it sound like theres this big thing that we all need to be worked up about. yes i was being sarcastic but it really doesnt seem like you really care if i was being sarcastic or not ........ by the way, im still laughing at you.
@Andy Daventry: You need something like Sting's 'Synchronicity' set-up ("it's like a PA, and it's very loud") or Greg Lake's monster 1974 set-up (Google California Jam). You need a bi- or tri-amped system suitable for PA or keyboards with stereo stacks. Folded 18's or 15's, multiple 10's or 12's for mids, and high horns. You might want to consider a PA or KBD package, but one with a lot of power and a powered subwoofer.It's long and rather complicated and has to do with the fact that I can NOT get a good sound out of a bass amp with the piezo. It sounds OK through the PA, but does not reproduce the glorious acoustic sound of the MB2 in a convincing way. Believe me, I have been playing the bass since last December. I have run it thrhough a Sadowsky preamp, and a DI box (with nearly 5 Meg input impedence) into the amp...but it only improved the sound slightly...got rid of a certain brittlenss. The best bass sopund I got with a bass amp was through a Fender Basman 400. Other amps don't have the power....
I admit it's a sin to so conventionalise an MB2, but it'S the most practical solution to the problem.