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What key would you say this song is?

The chords I googled are consistent with the key of C major: Fmaj7, G, a dash of Am . IV, V, vi.

The tonic C major is not a requirement, even if unusual to have it omitted. You might stretch an argument that it was modal , since it does not seem to resolve to the I.
That’s how I would see it - F Lydian, since we’re not focusing on C - the tonal center is F (or G Mixolydian).
 
The pro
I could see that. If someone would just say “this song is in the key of c“, and provide no other information,I would also assume that a C cord would show up.

But in cases like these, just tell me what the cords are and I’ll be good. I see no need to ring once hands over what key it actually is.
The problem with saying it’s C is the confusion that comes from watching a guitar player play an F major chord. The assumption might be “he must be in F”… and yes, an F chord shows up. But an F major scale wouldn’t work. An F Lydian scale would - sure it has the same notes as a C major scale, but conveying F Lydian indicates the tonal center is F.
 
I hear you, but where in the song are we revolving around C? Sure, the notes in a C major scale work, but that ignores the fact that the song is revolving around F and G notes, not C’s.
The song has no sharps or flats. That's how the key is determined. The F is the 4 and the G is the 5 in the key of C.
 
A k

A minor also has no sharps or flats…?
That is correct. A minor is the relative minor of C major. Either can be used. I hear it as more major than minor, so... C major it is.

The fact that the song never plays the root is what makes it cool. Lots of songs start on the 4 chord. This one just never resolved to the 1.

F Lydian is not a key. It's a scale. Once again, the only way to determine the key is determined by the number of sharps and flats.
 
The song has no sharps or flats. That's how the key is determined. The F is the 4 and the G is the 5 in the key of C.
Not exactly. The key is determined by what the harmony is actually doing. That could involve a common or garden key as understand in Western functional harmony, or a mode, or some more or less consonant bit of harmony that's not easily definable as either.

There's not really much, if any, C major functionality in "Dreams," so I'd hesitate to call it C major. Nor am I sure what we'd actually get out of calling it that. You could call it F lydian and call it a day.
 
F Lydian is not a key. It's a scale. Once again, the only way to determine the key is determined by the number of sharps and flats.
That's not really true. F lydian can be the functional equivalent of a key, if it serves as the fundamental organizing principle of a piece. A lot of folk music is like this.

If a tune never gets to its supposed tonic, over the course of what, 4 minuties, you have to ask whether saying it's in a key that it never arrives at is at all meaningful.
 
The first sharp is F#. The first flat is Bb.

The song is mostly FMaj7 to G6, and so we don't either F# or Bb.

A minor would typically have G#, but not always.

C major will typically have G7. However, G6 can sub.

There is an A minor chord in the instrumental break. Doesn't sound like a i chord IMHO.

Many people say the melody suggests A minor, but the chords do not.

To my mind the key signature is C major/A natural minor...but it's not necessarily in either key. I think one could argue that it is more of two chord shuttle.

You might like this:
 
Not exactly. The key is determined by what the harmony is actually doing. That could involve a common or garden key as understand in Western functional harmony, or a mode, or some more or less consonant bit of harmony that's not easily definable as either.

There's not really much, if any, C major functionality in "Dreams," so I'd hesitate to call it C major. Nor am I sure what we'd actually get out of calling it that. You could call it F lydian and call it a day.
F Lydian is not a key. It's a mode. F Lydian is a mode in the key of C major.
 
A minor also has no sharps or flats…? Why not call it that? Do you just reference everything back to the relative major, or I chord?
Let it freakin go
Sounds like it's in C and the person you don't agree with in the band says it in C so you came here for backup.
A minor is also the same freakin key.

Sticking on a note that isn't the key doesn't make it the key.