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What one album would you suggest?

depends a lot on the style of music, and what I think is "how it fits" is not how others may think it fits.

If it were me today talking to me of 20 yrs ago, I would recommend a serious re-listening to:
Kate Bush's Sensual World
Suzanne Vega's 99.9F°
Anything that Joe Osborn played on (like the Grass Roots)
Miles Davis's Relaxin' with The Miles Davis Quintet.

Couldn't make a call on just One record.

(I would recommend this to myself because I had already spent so many years listening to Geddy and Graham Maby)
 
depends a lot on the style of music, and what I think is "how it fits" is not how others may think it fits.

If it were me today talking to me of 20 yrs ago, I would recommend a serious re-listening to:
Kate Bush's Sensual World
Suzanne Vega's 99.9F°
Anything that Joe Osborn played on (like the Grass Roots)
Miles Davis's Relaxin' with The Miles Davis Quintet.

Couldn't make a call on just One record.

Props for your appreciation for Kate Bush... and for the point about context/personal experience...
 
This is my go to deep pocket album. Monster players all playing to serve the song. I like to pop this in when I drive to a gig that makes me a little nervous. It always brings me back to where I need to be mentally.

1976inconcertbestof_zps903b8d18.jpg
 
If I'm trying to instill in that new bass player a love for the bass, and an appreciation of what the instrument can do:
Jaco Pastorius (self-titled debut)
Weather Report, Heavy Weather
Yes, Fragile
The Who, Live at Leeds

If I'm giving him an album to learn bass lines, and to see how the bass typically functions within a band:
Eagles, Greatest Hits, 1971-1975
Any of several Motown anthologies

I know that's not one, but I imagine I would very likely pick one of the above, depending on the person and the circumstances.
 

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