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vroc38 said:There are so many variables - tuning, woods, constuction, heads, beater, technique, etc. Not sure it's possible to make generalizations re: diameter that hold up.

My brother has a jazz kit with an 18" kick drum. I love the sound of that drum. IMO ANY kick drum needs to be miced even (especially) in rehearsal for me to get a good pocket/groove going.jive1 said:I know we're not drummers, but I do care about how the band sounds and how I sit in the mix.
I personally prefer a 20" kick drum. It's a snappy, quicker tone that's easier to control on stage. It also accents the way I play and the tone I create.
A 22" is a little too boomy, and for many stages it's overkill. Unfortunately for me, most drum kits seem to feature a 22". It
How about you?
The drummer in the acoustic trio I was in with my brother (till he moved away) had a '70 or '69 Rogers kit, that was the best sounding drumset I've ever heard.cheezewiz said:My drummer has quite a few sets, mostly vintage. He uses a 22 most of the time, but he has a Rogers set from the early 60s, with an 18 inch bass drum, that he uses on gigs that require low volume or have tight set up spaces. That drum sounds STUPENDOUS miked up. It's probably his best sounding amplified bass drum.
My friend Jeff, when he was first starting to do small-time studio work (now does major label work and has a large number of gold and platinum records on his walls) used to do the same thing with a quarter. He called it his "Instant RE-20". (referring to the Electro-Voice RE-20 microphone which was used for kick drum recording back in the day).anomalee said:22x18, wide open. good heads are a must...and i know a silver dollar trick that helps with the attack.
I do this constantly, especially if he's playing something obscure and complicated.Philbiker said:My brother has a jazz kit with an 18" kick drum. I love the sound of that drum. IMO ANY kick drum needs to be miced even (especially) in rehearsal for me to get a good pocket/groove going.
Hey do any of you stare at the drummer's foot sometimes when you're playing?
That's actually not true. Assuming you're talking about SONOR, they sell bigger kicks as well. They are tight and snappy due to the wood and construction that goes into them.Helstar said:I always was drawn to a drum company called Sonar due to the tight fast snappy kick drum, well, I was actually talking to my drummer about it one day , and he started lauighing and he told me that Sonar kits usally have a smaller kick drum, and the small kick drum is what makes it fast tight and snappy.
Enough to make comments on it.Dr. Feelgood said:I'm wondering whether anybody here has actually paid enough attention in the past to be able to tell the difference between bass drum sizes.
Some of us are pretty old and experienced, so yes. I know I pay attention to those types of things because I'm a stickler for the overall band sound. And personally, I like different sounding kits for different reasons.I also wonder if anybody here has been with enough drummers to actually have first hand experience of different bass drum sizes. 22x18 and 20x18 are pretty damn standard.
Actually it's more like asking if we prefer a P or a J bass, or certain pickups and strings. It's the same instrument, just with different character. Some suit different styles or songs better.Asking "What size of bass drum do you prefer"? is like asking "do you prefer a four or five string bass?"
I know they say size doesn't matter, but yes I do talk to drummers about their gear. Much easier than carrying a conversation about geopolitics or metaphysics with a drummer.I also doubt whether anyone has actually talked to their drummer about his bass drum size! It's hardly something that matters.
I'm sure we could discuss that, but if wanted to we'd go on the Pearl Drum forum or HC.And just for the record, the amount of plies in a shell and type of wood/quality of construction is more likely to produce a different sound than the size of a bass drum.
Other factors may change the sound of the drum. The beater for example, can be made of wood, felt or rubber. The drummer can use a pad on the bass drum. He can muffle it using pillows etc. The amount of tension on the head will also change the sound.
You could take two drummers with identical kits, I guarantee they won't have the same sound: they will tune differently, play differently, hit differently...
The only two bass drums that will sound alike are the ones used on double bass drum kits.
Again, sorry for the rant.![]()
jive1 said:Enough to make comments on it.We are bassists, so we do pay attention to the drums. (at least I hope)
Some of us are pretty old and experienced, so yes. I know I pay attention to those types of things because I'm a stickler for the overall band sound. And personally, I like different sounding kits for different reasons.
Actually it's more like asking if we prefer a P or a J bass, or certain pickups and strings. It's the same instrument, just with different character. Some suit different styles or songs better.
I know they say size doesn't matter, but yes I do talk to drummers about their gear. Much easier than carrying a conversation about geopolitics or metaphysics with a drummer.![]()
But seriously, if I like how something sounds, I like to know how they did it.
I'm sure we could discuss that, but if wanted to we'd go on the Pearl Drum forum or HC.![]()
Well that's a given. At least I hope you feel better after the rant.![]()