My biggest gripe with the Epiphone Thunderbird (the standard one, not the Elitist), aside from its sketchy build and tone qualities, is that it doesn't have much in common with the classic Thunderbirds. Shape, pickup type, and control layout are close-but-not-quite, but that's where the similarities end.
The neck, particularly, is not to my liking. Its nut width is far wider than on the original instruments. I don't think its being a bolt-on does it any favors, either. It's not that I think bolt-ons are inherently inferior (Fenders are my all-time favorites!), I just think Thunderbirds should have through-body or at least set necks...a real purist/snob attitude, I admit, but it feels like they're really just cheap Fenders shaped like Gibsons that don't sound like either.
Additionally, I've no love for the hardware they use on the thing. I just never dug black hardware. And those tuners....yech!
A return of the Elitist Thunderbird, a not quite perfect but close enough replica of the original, would make me (and many others, I suspect) very happy.
***
As for the Thunderbird Studios, I can do without them. I can understand their appeal, but they're not for me.
The neck, particularly, is not to my liking. Its nut width is far wider than on the original instruments. I don't think its being a bolt-on does it any favors, either. It's not that I think bolt-ons are inherently inferior (Fenders are my all-time favorites!), I just think Thunderbirds should have through-body or at least set necks...a real purist/snob attitude, I admit, but it feels like they're really just cheap Fenders shaped like Gibsons that don't sound like either.
Additionally, I've no love for the hardware they use on the thing. I just never dug black hardware. And those tuners....yech!
A return of the Elitist Thunderbird, a not quite perfect but close enough replica of the original, would make me (and many others, I suspect) very happy.
***
As for the Thunderbird Studios, I can do without them. I can understand their appeal, but they're not for me.

